Exhibition 100 Best Posters 20

The current selection of the Exhibition 100 Best Posters 20 from the three German-speaking countries can be seen in Berlin until July 4th, 2021, then on tour in Essen, St.Gallen, Lucerne, Lausanne, Oldenburg, Vienna, Zurich, Mendrisio, Genf, as well as in Seoul, Chisinau, and Timisoara. Despite the pandemic with some unrealized poster projects, the jury with Markus Weisbeck, Xavier Erni, Andrea Gassner, Na Kim and Franziska Morlok had 1,973 posters from 600 entrants to choose from.

As a result, the 100 best posters include 43 × Germany, 50 × Switzerland and 7 × Austria—76 commissioned works, seven own commissions and 17 student project commissions. For 23 of the 100 best posters, animated versions can be called up with the help of the Artivive app.

The yearbook 100 Best Posters 20 Germany Austria Switzerland with all 100 winning posters, designed by Bueronardin, with texts by Markus Weisbeck and Fons Hickmann and the essay One Year (Parallel-Parallel) by Dorothee Dähler and Yeliz Secerli has been published by Verlag Kettler to accompany the exhibitions.

Exhibition 100 Best Posters 20 — Germany Austria Switzerland 

Design: Bueronardin
Editing and Proofreading: Hermann Büchner
Cover: Verlag Kettler
Photos: Michael Kirsten

Where?
Exhibition 100 Best Posters 20 Germany Austria Switzerland currently on its first stop:
Kulturforum, Staatliche Museen zu Berlin
Matthäikirchplatz
10785 Berlin
Germany

 

Euclid—Typeface Mystery No. 1

More than three years after the release of their first typeface monograph, Swiss Typefaces is proud to announce the launch of a new book. Euclid—Typeface Mystery No.1 was conceived and designed by Hubertus Design. The typographic tome of 264 pages is a feast for the eyes, built around a story that will send a chill down your spine.

For their second book, they invited Hubertus Design to work on the concept and art direction. The Zurich-based studio was given carte blanche for a book that would showcase the many facets of Euclid, their ultimate geometric sans typeface. And they lived up to their name as leading voice in innovative book design. They came up with an idea that transcends the expectations—including our own. You might assume that a publication devoted to a typeface was one big specimen. Like our previous SangBleu Typeface: The King, His Court, The Explorer & The Gift, the new book is so much more. Euclid — Typeface Mystery No.1 is a multidisclipinary triptych, constructed from three main components that are skillfully interwoven with each other: At the heart of the book is A Snippet of the Clear Night Sky, a mystery novel that Matthias Michel has authored specifically for this purpose. Hubertus Design brought in Matthieu Gafsou. The Franco-Swiss artist contributed Eerie Indeed, a series of photographs that augment the book with a rich pictorial layer. And then there’s the Euclid Typeface, which is used to set all text. The combined outcome is just as beautiful as it’s disturbing, and a creation that we find difficult to categorize.

Two versions of the book exist. The Standard Edition can be had for CHF 50.–. The Ultimate Edition is a limited run that will be sold at CHF 200.– and that includes both the book and the typeface: each copy of the Ultimate Edition comes with a gift card hidden somewhere inside the book. Once you’ve extracted it (surgical equipment required), it will allow you to download the complete Euclid Typeface for free. That’s five collections with 54 styles, to the value of CHF 405.–. In other words, you’ll get the fonts for half the standard price—and the book on top!

Euclid—Typeface Mystery No. 1

Fonts: Euclid Circular A, Euclid Circular B, Euclid Square, Euclid Triangle, Euclid Flex, and Euclid Stencil (designed by Emmanuel Rey / Swiss Typefaces), Euclid Mono Vanguard (designed by Emmanuel Rey, Quentin Schmerber / Swiss Typefaces)
Font engineering: Christoph Koeberlin
Concept and Art Direction: Hubertus Design (Matthias Michel, Jonas Voegeli, Lea Fischlin, and Kerstin Landis)
Typeface descriptions: Florian Hardwig
Novel: Matthias Michel
Photos: Matthieu Gafsou
Illustration cover: Noah Scalin
Print and binding: Musumeci S.p.a
Cover material: Cloth Balatex Imperial 4440
Paper: Munken Polar Rough/Maxi Satin/Prolight
Reproduction pictures of the book: studio GG58
Volume: 264 pages
Format: 24.5 cm × 31.5 cm

Standard Edition: CHF 50.– (≈ € 45,70 Euro)
Ultimate Edition: CHF 200.– (≈ € 182,82 Euro)
Get your free trial of the Euclid typeface

Swiss Typefaces is offering Slanted readers a free license for their lab font Euclid Mono Vanguard with the purchase of any version of the book. To proceed, purchase the book on physical.company. While checking out, add “Slanted2021” in the “additional options” field and you’ll later receive an email to download the font free of charge. (Emails are handled manually, they might take a moment to arrive). The Offer is valid until July 8th, 2021.

Forward Festival Hamburg 2021

“Always keep moving Forward!” After a very successful Online-Only-Event in March, Forward Festival is returning with a hybrid format on July 1st and 2nd, 2021 in Hamburg: Forward Festival Hamburg 2021 — Comeback of Creativity Between Post-Digitization and Community-Thinking.

Forward Festival is a renowned conference for the local and international creative industries, established in 2015. The festival’s self declared mission is to serve as a platform for creative people and to promote inspiration and exchange. Protagonists from all disciplines of creativity are brought together in a program combining forums, workshops, exhibitions, talks, and side-events. Topics range from (graphic)design, typography, marketing, and branding to VR/AR, artificial intelligence, and architecture to photography, film, and TV. Forward has made an impact internationally as an important platform for the industry at locations in the DACH region (D-A-CH or DACH is an acronym for Germany, Austria, and Switzerland.) From 2020 on, the focus has been on a hybrid event concept in order to make the program accessible to people across borders via livestream and interactive online formats. The success formula of Forward is: It comes from within the industry and is authentic in its approach and content. The conference hits the right tone and sets key priorities as its initiators, such as Forward founder and curator Othmar Handl, themselves coming from the creative industries. Speakers follow this spirit and therefore contribute with personal stories about success and failure in the creative process, cooperation between the disciplines, and their views of the creative industry.

The program promises a variety of speakers and lots of inspiration from all different branches of the creative industries. More than 15 speakers, masterclasses, and much more will inspire the livestream audience as well as the festival-goers on-site at designxport Hamburg. For 2021, Forward Festivals are focusing on the comeback of creativity to the real world from the digital world. Founder and curator Othmar Handl says about his vision that is inspired by the “shortest poem ever written” by Muhammad Ali: “ME, WE—When the great Muhammad Ali created this poem, he didn’t know that much later these two words perfectly fit to describe our situation in 2021: Already living the age of Me, it seems that times of lockdowns have not only confined us physically. We were also forced to focus on our egos, our Me. Were we at the brink to forget the We? The opposite was the case: We just recognized how much we missed the We!” Despite returning to the “real world”, Forward Festival Hamburg will take place as a hybrid event. This way, creatives from all over the world can take part and enjoy two days of inspiration via Livestream—just like the well-received Online edition in March 2021. About the bold decision to schedule this edition of Forward Festival even though there were still lockdowns in place when he started planning, Handl says: “We firmly believe that there must not be a cultural and creative vacuum even in challenging times. Together with partners and speakers, it is very important to us that creativity is not neglected or even completely ceased at any time.” He stresses that he is convinced that the creative industry and the many surrounding industries have an increasing need for knowledge transfer, inspiration, and exchange—after all, the festival’s mission has always been to serve as a platform for creative people and to promote exchange.

As speakers, the biggest independent agency Wieden+Kennedy, Australian illustrator Gemma O’Brien, design-legend Mirko Borsche, and digital artist Gmunk join the lineup as well as the Experience Design team of Google, and artist-designer Erik Kessels. Workshops will be held by Emily Cohen (“Managing Clients for High Impact”), Dot Lung (“Personal Branding”), and Erik Kessels (“Personality Before Portfolio”).

Forward Festival Hamburg 2021 — Comeback of Creativity Between Post-Digitization and Community-Thinking

Tickets Livestream: from € 55.–
On-site package: from € 299.–
Tickets for the on-site event are strictly limited and in high demand, capacities are added from time to time on the Forward Festival website when available.
Tickets for online and on-site workshops can be booked separately. 

When?
July 1st and 2nd, 2021

Where?
designxport Hamburg

Hongkongstraße 8
20457 Hamburg-Hafencity, Germany
and online

Find further information here and get your ticket here

Speaking in Tongues

The Speaking in Tongues Group exhibition at Blake & Vargas brings together work by artists who explore the body as a transformative vessel. Studio Last has designed three different posters for the exhibition.

Feat. works and editions by:
Angelika Loderer
Anna Lena Grey
Carolin Eidner
Christian Hoosen
David Schiesser
Dorothy Iannone
Garrett Nelson
Lotte Meret
Nat Marcus
Sarah Bernauer
Una Szeemann
Young Boy Dancing Group

Speaking in Tongues, also called Glossolalia, refers to the act of speaking in an unknown language. With his vision of a new theater, the Theater of Cruelty, Antonin Artaud wanted to dissolve the boundaries between art and life, stage, and audience. Instead of classical narration and dialogue, he experimented with movements, sounds, and utterances in an imaginary language. His last work, the 1947 radio play To be done with the judgment of god, begins with glossolalia, and ends with the proclamation:

“When you will have made him a body without organs, you will have freed him from all his automatic reactions and given him back his true freedom.” Torn by the dichotomy that the body is both body and mind, Artaud desires a body that is not defined by the needs and functions of its organs.

In A Thousand Plateaus (Deleuze / Guattari, 1980), Gilles Deleuze asks the question, “How does one make a body without organs?” A body without organs creates and forms itself from the infinite possibilities of its virtual potential, independent of its organism. The body without organs operates in the free flow of its intensities, desires, and language. In exchange and intermingling with other bodies, it constantly renews itself.

The collective body in Speaking in Tongues, composed of the individual works in this exhibition, can be read as an artistic exploration of a body without organs. This imaginary body reveals itself without solidifying, constantly reshaping its contours. Through its permeable surface, it is able to merge with other bodies. Speaking in Tongues, the language of his body emerges as he speaks equally inwardly and outwardly.

Speaking in Tongues

When?
June 11th to July 18th, 2021
Opening hours:
Thursday–Saturday, 11 a.m.–6 p.m.

Where?
Blake & Vargas
Reichenberger Straße 72
10999 Berlin, Germany

Find out more about Studio Last or take a look at the exhibition space Blake & Vargas

Credits:
Poster 1: Artwork by Angelika Loderer, Space between a kiss, 2019, aluminum.

Poster 2: Artwork by Lotte Meret, still from To Fear Hope and Desire Again, video & spatial installation, 2020, 14:38 min, 2K
Poster 3: Artwork by Anna Lena Grau, not yet titled, 2021, plaster & pigments.

Images by Philippe Gerlach & Sylvan Dahlgrün. Poster series by Matthias Last.

Support “Flexible Visual Systems” on Kickstarter

Yesterday, the Kickstarter-campaign for Flexible Visual Systems started, a book initiated by TwoPoints.Net, which is not just another book by the design studio based in Hamburg, Berlin, and Barcelona.—It is Martin Lorenz’s once-in-a-lifetime book and now he needs your help to make it become real: Support “Flexible Visual Systems” on Kickstarter!

Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language. The publication sums up ten years of research at the University of Barcelona, 20 years of developing systems at TwoPoints.Net and 18 years of teaching systems at over ten design universities throughout Europe on 320 pages. To learn how to design flexible systems is not just learning another craft, it is going to change the way you think and work entirely. It is an approach, how to design. If you would place system design into a curriculum it would be the foundation course, putting you in the right mindset. You can apply the systemic approach to any discipline you will later specialize in, from corporate design, communication design, user experience design to textile design.

The book is divided into three parts. The first part is a richly illustrated theoretic introduction (82 pages) explaining the past, present, and future of flexible systems. It describes how they were used in the past, how they are used today and why they should not just organize formal solutions, but the way how we work. The second part is a hands-on, almost purely visual, description of how to design flexible systems on form, starting with a circle, triangle, square, pentagon, and hexagon. Lots of instruction manuals and examples on how to use them on 148 pages! The third part explains how transformation processes can become flexible systems for visual identities. Especially creative coders, motion designers, and people who love to experiment will have a lot of fun with this chapter.

The funding goal does NOT include the design or editing of the book or production of the rewards—but we need support from you to cross-fund the printing costs. Therefore, the total goal includes the printing costs of the publication as well as shares of handling (shipping costs, fees). The actual sum to make the book possible is 22,000 euros, but 15,000 of that is to be pre-funded through Kickstarter. So help exceed the actual founding goal so that the book can spread to the winds.

Support “Flexible Visual Systems” on Kickstarter

Publisher and Distributor: Slanted Publishers
Content and Design: Dr Martin Lorenz
Volume: 320 pages
Format: 210 × 250 mm
Language: English
Printing and Binding: Agpograf, Barcelona, Spain
Printing: 3 Pantone Spot Colors
Cover paper: Softcover, Invercote G, 300 g/sm, Matt Varnishing
Inside paper: Coral Natural M.1.2, 120 g/sm
Delivery: Wrapped in shrinkfoil, packed in box envelopes, shipped with tracking nr.

The 320 pages will be printed in three bright Pantone colors, impossible to imitate with CMYK or RGB, on a high bulk paper. Printing and binding will be done by the printer Agpograf in Barcelona. The book will be published and shipped in September.

Support the project on Kickstarter and preorder a copy or grab one of their rewards such as a notebook, an art-print canvas, or a workshop with Martin Lorenz.

Quirkwood

Another day, another typeface! We are happy to introduce you to the typeface Quirkwood — By Canadatype:

Quirkwood was Robby Woodard’s pandemic project. During all the craziness and uncertainty surrounding lockdowns and work-from-home mandates, the veteran designer decided to revisit the classic Egyptienne / Italienne / French Clarendon aesthetic and make it his very own with two extra spoons of fun and a generous dollop of cheer. Quirkwood is what we have after his typographic bender, and we believe our world is all the better for it. This is a spaghetti western with Shazam and Wile E. Coyote cast in prominent starring roles, a bluegrass album of Edith Piaf covers.

By reconfiguring a classic archetype’s DNA and introducing new quirks to it, Robby presents a uniquely sunny and wholesome character with this typeface. The common reversed-stress-slab treatment goes a long way for sure, but there are also plenty of unusual elements working hard in the background here: Ball endings harmonizing with thick soft rectangles, diagonals cutting light into thick softnesses, eager open midsections guiding the eyeballs, strokes thickening into curled serifs just short of swashing out, and giddy extenders bopping along to an eccentric beat. And a horseshoe “U”!

But it’s not only fun and games. Underneath the bubbly appearance, the Quirkwood family is an expert typographic feat that offers plenty of bells and whistles: Contrast-based groupings and weight variation, intelligent contextuality, chromatic layering options verging on graffiti-like possibilities, stylistic alternates, small caps, standard and discretionary ligatures, and other fine typography features.

Quirkwood — By Canadatype

Foundry: Canada Type
Designer: Robby Woodard
File Formats: otf, ttf, eot, woff, woff2
Styles and Weights: Quirkwood Regular, Quirkwood Bright, Quirkwood Shadow, Quirkwood Highlight, Quirkwood Text Regular, Quirkwood Text Medium, Quirkwood Text Medium Bright, Quirkwood Text Bold, Quirkwood Text Bold Bright, Quirkwood Chunky Regular, Quirkwood Chunky Bright, Quirkwood Chunky Bold, and Quirkwood Chunky Bold Bright
Price Single Style: $ 30.–
Price Full Family: $ 150.– (13 fonts)
Buy

picto-, ideo-

We are delighted to announce that picto-, ideo-by Johannes Bergerhausen and Ilka Helmig is now available at Slanted Shop!

On the occasion of the exhibition Pictograms, Signs of Life, Emojis: The Society of Signs at the Leopold-Hoesch-Museum Düren 2020 and at the Museum für Neue Kunst Freiburg 2021 the publication picto-, ideo-By Johannes Bergerhausen and Ilka Helmig was published. 

Designer and researcher Johannes Bergerhausen and artist Ilka Helmig focus on the unknown and opaque writing systems. What is a script? How many people speak which language? And what are the missing scripts? The editors open a discourse on script as a cultural asset, the existing inventory of written languages, the digitization of the world’s languages, and missing typographic signs for so-called “non-Latin” or “minority” scripts.

Prof. Johannes Bergerhausen, born in 1965 in Bonn, studied communication design in Düsseldorf and lives in Cologne and Paris. In 1998 he was a scholarship holder at the Centre National des Arts Plastiques in Paris. Since 2002 Johannes Bergerhausen is a professor for typography and book design at the Hochschule Mainz. In 2005 he released decodeunicode.org, sponsored by the Federal Ministry of Education and Research. He is a Guest lecturer worldwide and won numerous awards. He published the books decodeunicode—The characters of the world (2011) and Digital Cuneiform (2014). Prof. Johannes Bergerhausen used to be Visiting Professor at the Atelier National de Recherche Typographique (ANRT) in Nancy, France between 2014 and 2015.

Prof. Ilka Helmig, born in 1971 in Frankfurt am Main, studied fine arts and communication design in Nuremberg and Bonn and lives in Cologne and Paris. Since 2007 she is professor for drawing and visual conception at the University of Applied Sciences Aachen. Ilka Helmig has led several workshops, has been part in numerous solo and group exhibitions (most recently Karst Gallery, Plymouth, UK, and Artist in Lab Fraunhofer Gesellschaft 2020).

In their publication, Ilka Helmig shows drawings of air twirls created by the act of speaking and articulating. Air is extruded through the lips of one’s tongue and released into the atmosphere in the shape of structured air vortices. Scientists have discovered that the vortices of spoken sounds are replicable.

picto-, ideo-

Publishers: Johannes Bergerhausen and Ilka Helmig
Concept and Design: Johannes Bergerhausen and Ilka Helmig
Text: Johannes Bergerhausen
Translation: Nicola Fischer
Release: September 2020
Volume: 46 pages
Format: 17 × 24 cm
Language: German and English
Price: € 16.–
Buy
Find further information here or scroll through the world’s writing systems 

Büro Destruct 4

It is a great honor for us to publish the fourth monograph of the Swiss design studio Büro Destruct. Büro Destruct 4 not only presents the best of the realized projects of the past twelve years, but also intermediate steps, discards, experiments, and inspiration.

In contrast to the strict and somewhat restrained Swiss Style of the 1960s, Büro Destruct stands for design without the handbrake on. Apparently everything is possible. It can be humorous, loud, colorful and zeitgeisty. At the same time, minimalism, precision and craftsmanship are present in all their work. The Swiss, who see themselves and their studio as a kind of band, again present a skillfully composed album with this new book.

The Bern-based foursome have never dealt in safe or conventional consensus graphics, but prefer distinct, sometimes trashy and always refreshingly original designs. Blessed with a healthy dose of insatiable curiosity, they have been seeking out inspiration from beyond the mountain ranges since the mid-1990s—long before the proliferation of Internet access and distribution. The Swiss strongly associate with values inherent in Japanese culture, in which they have found—and continue to find—inspiration over the years. However, unlike Emil Ruder and other heroes of classic Swiss graphic design, who also drew on Japan, they are more inspired by the wild side of Japanese culture.

Büro Destruct’s vector-heavy graphics have always conformed to “think global, act local.” Often against the grain of public conception: they were among the few to ignore the temporary, yet intense flirt of Swiss graphic design with fledgling neo-conservatism. Over the past 27 years, Büro Destruct have successfully avoided being pinned down or getting too comfortable in a defined area. At the same time, of course, it is there: that special Destruct eerie feeling. An independent handwriting, for which many words could be found, but which even after more than two decades is best conveyed by looking at their work …

Büro Destruct 4
By Büro Destruct

Publisher: Slanted Publishers
Concept & Design: Büro Destruct
Preface: Jens Müller
Release: June 2021
Volume: 256 pages
Format: 24 × 28 cm
Language: English, Preface also in German & Japanese
Printing: Offset with spot color
ISBN: 978-3-948440-27-5
Price: € 38.–
BUY

TypeTogether

Today, we would like to put TypeTogether, founded by Veronika Burian and José Scaglione, who met while completing their Master’s degrees in type design at University of Reading in the spotlight:

Whether for screens or in print, the TypeTogether type foundry specializes in creating multiscript editorial fonts for the general public as well as custom typefaces for discerning clients. They are one of the leaders in instituting the variable font format alongside the usual OpenType and TrueType formats. Variable font technology packs the infinite range of styles between the two design edges (e.g. ultrathin and ultrablack) into one file that can be as small as 10% of the static files. You get everything in between, not just the few weights with which you are accustomed. Even better, TypeTogether has priced the variable fonts at 15% less than purchasing the static files.

Here’s a look at three font families on the leading edge of design that’ll support the intention of your text:

Florian Fecher’s Lektorat is a sans family capable of setting a full range of editorial publishing. Its six concentrated text styles speak directly to readers, and its three display widths equal 21 fonts capable of informing, persuading, and entertaining en masse. Methodical in rationale and irrepressible in function, Lektorat’s 27 static styles or three variable fonts are the embodiment of editorial expression.

Bogidar Mascareñas created Laima, a brand-ready stencil formed by a flowing calligraphic brush instead of rigid machinery — lively, unexpected, and captivating. Stencils are often restrictive and industrial, not expressive and flourished. As a stencil made by calligraphy instead of a machine, Laima is a perfect brand ambassador for album art, upscale venues, and packaging.

Catalpa was designed to be an overwhelming headliner, to give words bulk and width like the quirky and hulking wood type that inspired it. With only four thin and four heavy weights, being a display family is its single-minded purpose. Available as two variable fonts or eight static files.

For more details, visit the TypeTogether website.

3rd Session TypeTech MeetUp 2020/21

At the end of the week will take place the 3rd Session TypeTech MeetUp 2020/21 — Tools and Collaborative Type Design. Starting this Friday, June 18th, 2021 starting at 4:30 p.m. (CET).

TTM’s new online format spans a ten-month period and is divided into four sessions, each focused on a specific topic. Every evening is structured in two parts. The first part will include three presentations, each followed by a short break to get to know each other. Part two will be a facilitated discussion session where the audience will have the chance to ask their questions and join in the discussion online. The event was previously designed as a face-to-face conference held in Munich. Due to the situation last year, it was moved to the online platform.

TypeTech MeetUp was created to fill a gap: Type engineers and designers, web designers and developers, industry experts, and tech and business professionals find a place on TTM to exchange ideas on technical topics and the current state of font technology, and to shape and develop the future together. Contributors collaboratively develop, discuss, and document to advance the state of the art and promote the integration of font technologies into the future of digital communications.

For June, they invited font developer Natalia Qadreh talking about Git-based workflows and font/software and engineer Denis Moyogo Jaquerye, who will share his thoughts on testing and developing fonts as keynote speakers. Additionally, you will hear from Simon Cozens about his Glyphs plugin that facilitates collaboration, and Tim Ahrens will present his Kern-On kerning tool. After this first part you will have a networking break with the possibiltiy of private conversations or just being in the virtual room with other participants and speakers. The fourth session will be accompanied by designer, researcher, and teacher Kyuha Shim from Carnegie Mellon University, who will present his generative typography project. The second part will be a moderated discussion session with experts Sol Matas, Toshi Omagari, Pooja Saxena, and Dominik Röttsches plus speakers.

3rd Session TypeTech MeetUp 2020/21 — Tools and collaborative type design

When?
June 18th, 2021
4:30 p.m. (CET)

Where?
The event will be streamed on the Vito platform

TTM is organized by GRANSHAN together with many partners and sponsors.
Find out more about the event here, read about the speakers or register 

Makers Bibles: München and Voralpen

Today is a perfect day to browse our Slanted Shop and discover new publications. Therefore we would like to present you Makers Bibles: München and Voralpen — Handgemachte Qualität, which are worth a look:

Makers Bible München

The Makers Bible München is a guide about makers & crafters, Händler Gastgeber (engl.: retailers and restaurants). The publication will be published in German language and contains a large number of real craftsmen and craftswomen who still produce in their city. The guide offers a selection of places, addresses, and destinations to discover Munich from a new perspective. It is also intended as an impulse for Munich residents to rediscover their hometown and take part in workshops, discovering stores and eateries they didn’t know about before. The publication supports and brings into focus restaurants, cafes, and delicatessens whose offerings are handmade, fresh, and made with a high percentage of local ingredients.

Join them along with Outville as they make their way to the foothills of the Alps between Lake Constance and Lake Königssee, pausing at dazzling lakes, stopping by brewers and distilleries, artisans and merchants, serving up bread and dinners, and settling into our feathers with passionate hosts.

“Servus, Mahlzeit, Prost, and bon voyage!”

Makers Bibles: München

Publisher: Melville Brand Design GmbH 
Authors and Editors: Sebastian Berg, Florian Brugger, Lars Harmsen, Milan Müller, Johannes König, and Michael Schmidt
Language: German
Format in cm (w × h × d): 14 × 21 × 2 cm
Volume: 208 pages
Release: 2020 
Price: € 18.60 
ISBN: 978-3-00-066844-9
Buy

Makers Bible Voralpen

Just like the Makers Bible München, the Makers Bible Voralpen is a compact city guide in a pocket-book-sized format that leads to handmade, genuine, and passionate quality in Munich. It is about makers & crafters, Händler Gastgeber (engl.: retailers and restaurants) in the foothills of the Alps between Lake Constance and Berchtesgadener Land district. It portrays authentic makers and brands who make their products largely or even entirely by hand. It is aimed at those who are looking for alternatives to mass-produced and quickly consumable goods.

Publisher: Melville Brand Design GmbH
Authors and Editors: Sebastian Berg, Florian Brugger, Lars Harmsen, Milan Müller, Johannes König, and Michael Schmidt
Language: German
Format in cm (w × h × d): 14 × 21 × 2 cm
Volume: 223 pages
Release: 2020
Price: € 19.–
ISBN: 978-3-00-068523-1
Buy

DIN—A Basicly Podcast

Let us introduce you to DIN—A Basicly Podcast initiated by students at the Berlin University of the Arts.

What exactly are the basics? And who decides what is fundamental? Based on these and other questions, the student-podcast DIN looks at the personal, social, and political consequences of the fundamentals in art and design. Together with their guests from fields of science, teaching, and practice, DIN combines both theoretical and practical perspectives to form possible constellations around the concept of basics. Students of the two courses Visual Communication and Communication in Social and Economic Contexts at the Berlin University of the Arts explore how the past and present of design principles look like and how they may transform in the future.

DIN—A Basicly Podcast

Speakers: Mara Recklies, Prof Susanne Lorenz & Prof Dr Thomas Friedrich
Editors: Visual Communication & UdK Berlin
Release: April 2021
Course by: Henrike Uthe & Stefanie Messner
Design by: Moana Schorlemer Filipe, Yael Rathjens, Pauline Luca Wunderlich, Jean-Noël Teschauer, Linh Nguyen Tran, Lukas Winter & Erik Reinhardt
Website: Hauke Irrgang

Listen here

Ou(te)r Space: Course as Collective Manifesto

Full of new visual ideas, bursting with young dynamism: Ou(te)r Space: Course as Collective Manifesto — By Jeremiah Chiu is now available at Slanted Shop!

Ou(te)r Space: Course as Collective Manifesto — By Jeremiah Chiu contains the work of 21 high school students that participated in the (virtual) Graphic Design section at Otis College of Art & Design’s Summer of Art in July of 2020. The month-long course, led by Jeremiah Chiu, was proposed to the students as a four-part experimental and collaborative workshop—activating the remote classroom as a space for self-reflection, critical inquiry, and expression through experimentation. 

The course was structured into four, week-long topics: A Portrait Through Objects (image-making), Establishing a Voice (typography), A New Vision (research and writing), and Self-Publishing (authorship). In the final week, students collaborated with Chiu to compile a final volume documenting the results of their month-long study—seen here in this book. 

As the world we live in continues to change, so should the approach to educating, collaborating, and communicating with students and practitioners. The book serves as a starting point—an inspiration—for educators and students alike to engage, question, and evolve Graphic Design Pedagogy and Curriculum towards a more diverse, equitable, and inclusive future. 

From an educator’s perspective, it may seem obvious to teach as we have been taught. But too often, education is taught in binaries—right and wrong—and through biases—subjective “goodness” as a measure of quality. Beyond right and wrong, this book proposes that we re-establish the hierarchical balance between teacher and student, and that philosophical inquiry—ethical, political, and representational questioning—become integral to the practice of a contemporary designer. Instead of determining what is right or wrong, we may, alternatively, discover what is possible. 

Ou(te)r Space: Course as Collective Manifesto — By Jeremiah Chiu

Publisher: Slanted Publishers
Editor & Design: Jeremiah Chiu
Release: June 2021
Volume: 148 pages
Format: 20.3 × 27.6 cm
Language: English
Printing: Digital
ISBN: 978-3-948440-25-1
Price: € 24.–

Buy

Yearbook 2020: In limbo

We’d like to present you the Yearbook 2020: In limbo of the Burg Giebichenstein University of Art and Design!

The ninth edition of the yearbook of the Burg Giebichenstein University of Art and Design Halle is dedicated to the main topic “In limbo” and thus describes the state and feeling that has accompanied the artschool since last spring. On more than 150 pages as well as with digitally available contributions, it is presented how the Corona pandemic has changed the everyday life of the university. The yearbook of the BURG in German and English, also presents a variety of Art and Design positions of students, teachers, and graduates, which were created in the extraordinary academic year 2020.

With the onset of the pandemic, many encounters took place in virtual space. Since courses, symposia, lectures, and award ceremonies are often conducted digitally, the current issue for the first time includes numerous digital contributions that can be accessed via QR codes. Different perspectives on teaching and studying are presented in essays and individual diary entries by university members.

Yearbook 2020: In limbo Burg Giebichenstein University of Art and Design Halle

Publisher: Rectorate of Burg Giebichenstein University of the Arts Halle
Concept: Silke Janßen & Julia Gollan
Editorial management: Julia Gollan & Bert Sander
Design: Fabian Steidl & Arne Winter
Art Direction: Prof. Jonas Hansen
Publisher: University publishing house Burg Giebichenstein University of Art and Design Halle
Volume: 160 pages
Format: 18 × 26 cm
Production: Paperback
Languages: German and English
ISBN: 978-3-86019-165-1
Sponsor: Saalesparkasse Halle
Price: 7.– Euro

Buy here

Porto Design Biennale 2021

The program for the Porto Design Biennale 2021 (PDB’2021) — Second Edition is closed. Taking place between June 2nd to July 25th in the cities of Porto and Matosinhos, the event will organize more than 49 activities that aim to stimulate the interest of design in promoting new discourses and practices that can integrate the prospective capacity of the discipline to outline innovative solutions for collective problems. Exhibitions, conferences, workshops, and publications make up the programmatic skeleton proposed by the general curator, Alastair Fuad-Luke, for an edition that is to be held with the participation of all—citizens, visitors, professionals, and lovers of design—generating strategic and effective alliances for building communities of change.

The main program of PDB’21 will have as one of its main axes the exhibition Museu da Matéria Viva, where design is called to look at our sustainable relationship with all living beings. Alongside the exhibition, the Museu da Matéria Viva will convene a series of expeditions and workshops developed by Alexandra Fruhstorfer (Austria), Seçil Uğur Yavuz (Italy/Turkey), Julia Lohmann (Germany), Violaine Buet (France), Alastair Fuad-Luke (United Kingdom/Portugal), and Tiago Patatas (Portugal). Having as points of installation the Palacete Viscondes Balsemão and Praça Carlos Alberto, Radical Care: Architectures of Love and Reciprocity, a proposal guided by Ana Jara (Artéria, Portugal) and Alberto Altes (Spain), will gather stories of practices that contribute to increase the levels of care and love on the planet and about planet, resisting cynicism and toxic irresponsibility. Also to be held presentially, Habitar 424, curated by Assemble Studio (United Kingdom) and El Warcha (Portugal), will start a workshop developed by and for the homeless community in Porto. The project aims to reconceptualize the common understanding of homeless people, while at the same time providing increasing community resources for the future. In the inevitable extension to online, the general program of PDB’21 will launch the exhibition Invisible Lines, curated by CRA-Carlo Ratti Associati in collaboration with the MIT Senseable City Lab, which will present a look at the gentrification process and new ghettoization of the city with big data.

Complementing its installation dimension, Porto Design Biennale will also contemplate two spaces specially dedicated to the debate: a series of podcasts guided by the ideas proposed by the program (Vozes do Atelier, curated by André Cruz) and the cycle Friday Colloquia: Peripheral Perspectives, which proposes a set of colloquia attended by interdisciplinary academics, non-academic thinkers, designers, visual and performative artists, and citizens.

In line with the general curatorial proposal, France, as a guest country, presents a diversified program of radio conversations, exhibitions, installations, and social projects, curated by Caroline Naphegyi and Sam Baron.

The great challenge of the event for this year is to call on society, academia, industry, institutions, and cultural agents for a dynamic reflection on the construction of a “glocalized” future.

Porto Design Biennale 2021 (PBD’21) — Second Edition

What?
The 2021 edition of Porto Design Biennale (PDB’2021)
Exhibitions, conferences, workshops, and printed matters
Organisation:  esad—idea, Investigação em Design e Arte
Curators: Alastair Fuad-Luke (Chief-curator), Alberto Altés,  Ana Jara, Carlo Ratti , Caroline Naphegyi, Fran Edgerley, Inês Marques, Olivia Page and Sam Baron
Promoters: Câmara Municipal do Porto, Câmara Municipal de Matosinhos
Jury Open Call Graphic Design: Inês Nepomuceno, João Guedes, Lars Harmsen, Maria João Macedo, Raquel Pais, Tereza Ruller, Thomas Spallek

When?
June 2nd to July 25th, 2021

Where?
In the cities of Porto and Matosinhos
Find the map of exhibitions here

The complete program can be consulted here

FOTODOKS: Festival for Contemporary Documentary Photography

From today for four weeks, the FOTODOKS: Festival for Contemporary Documentary Photography — A house is a house is a house will present its tenth edition: A group exhibition with an interdisciplinary accompanying program and an extensive publication. Together, the contributions reflect the current understanding of home. Twelve photo projects, often developed over many years and shaped by personal experience, and the multi-perspective festival program with lectures, readings, and discussions, open up to the audience a broader perception of this dense and multifaceted social space.

A house is a house is a house is dedicated to current perceptions of home and refers to social inequality that is increasing due to the colonial, patriarchal, and capitalist power structures that exist around the world.

Exhibition with Emine Akbaba (Germany), Dannielle Bowman (USA), Cyprien Clément-Delmas and Lindokuhle Sobekwa (France, South Africa), Buck Ellison (USA), Nanna Heitmann (Germany/Russia), Sohrab Hura (India), Jochen Lempert (Germany), Noelle Mason (USA), Drew Nikonowicz (USA), Now You See Me Moria (Spain/ Afghanistan/ Syria), Arzu Sandal (Germany), and Henk Wildschut (Netherlands).

Accompanying program with Gürsoy Doğtaş, Sebastian Gansriegler (Auslöser Magazin), Filmscreening DOK.fest meets FOTODOKS, Max Houghton, Jörg Koopmann, Franziska Kunze, Christiane Mudra, Anna Schneider, Sonja Pham, Matthias Ziegler, and exhibiting photographers.

FOTODOKS: Festival for Contemporary Documentary Photography — A house is a house is a house

When?
June 7th to July 4th, 2021
Tuesdays to Sundays from 11 a.m. until 7 p.m.  

Where?
Lothringer 13 Halle
Lothringer Str. 13
81667 München, Germany
and online 

An extensive exhibition catalog will be published as part of the project free of charge and serves as a guide through the exhibition as well as for further reading.
Find further information here

Lottery: LOQI X SNASK

Secrets are heavy to carry around—that’s why LOQI teamed up with Stockholm-based creative agency SNASK who created a bold collection of bags, zip pockets, weekenders and laptop covers. Use the discount code LOQIxSLANTED to receive 10% discount on all LOQI products online, valid until 07/31/2021! Check it out!

SNASK is your future romance. A creative agency of misfit geniuses conquering the world through fine lookin’ design and real emotions. They seek to challenge conservative frameworks and they do it with their backs straight, supported by their unbreakable values. They don’t cower away from the challenge, as they see that the magic lies within the unexplored.

In order to be great—you have to be brave and bold.
In order to be real—you have to stand up for your opinions and beliefs.

Now you also have the chance to call a LOQI X SNASK bag your own: To take part in the lottery, write an email to [email protected] with the subject “LOQI X SNASK,” name your favorite bag (see list below) and let us know your postal address (for dispatch). The lottery ends June 11th, 2021, 11 a.m. (UTC+2). The winners will be drawn after the deadline and contacted by email. Whoever takes part in the raffle agrees to receive news from Slanted and accepts the privacy policy. Legal recourse is excluded. We wish you good luck!

Tiger Snake Beer Grey Recycled Bag
€ 11.99

Tiger Snake Beer Black Laptop Cover
€ 39.99

Transparent Secret and Classified Bag
€ 29.99

Transparent Secret and Classified Zip Pockets
€ 19.99

Transparent Secret and Classified Weekender
€ 39.99

Depeche Mode by Anton Corbijn

There aren’t many bands that are as strongly associated with a certain aesthetic as Depeche Mode. No wonder, this timeless, melancholic look has been created by Dutch photographer, film director and video director Anton Corbijn since the 80s and has contributed to the band’s casual and cool look ever since.

The 512-page book Depeche Mode by Anton Corbijn is not the first to reveal this liaison, but with more than 500 photographs, many still unpublished, from Corbijn’s private archive, his handwritten explanations of the photos, and an in-depth interview with the artist, this is the highly anticipated, lower-priced follow-up to the limited edition of 2020.

Created in close collaboration with Depeche Mode, DM by AC once again showcases Anton Corbijn’s impressive influence on the world’s biggest cult band and celebrates one of the most creative and enduring collaborations in music history. In this short video, Anton Corbijn himself introduces the book.

The book is very well designed, the balance between image proportion and white space is just right, the typography simple but not boring. Not only for fans of the band a delight for the eyes, but a great photo book!

Depeche Mode by Anton Corbijn

Publishing House: TASCHEN
Photographer: Anton Corbijn
Editor: Reuel Golden
Format: 24.3 x 34 cm
Volume: 512 pages
Weight: 3.67 kg
Workmanship: Hardcover
Price: 100.– Euro
BUY here

Typeface of the Month: West

Another month, another typeface for the month! We are happy to present our new Typeface of the Month: West by Fontwerk!

The following geometric shapes: square, circle, and triangle, often fascinate creatives, not least those who design typefaces. It’s therefore hardly surprising that many fonts that are rooted in these classical forms look rather similar. Although the construction of West follows in the same geometric tradition, it achieves independence and its own distinct character. It has a simple yet sophisticated formula: visually similar forms do not repeat.

Combining conciseness and pragmatism, it presents itself as timelessly modern but has its roots firmly planted in the practicality and functionality of classical modernism. West succeeds in reinterpreting the concept of geometric sans serifs in a contemporary way. Behind its apparent lightness lie a multitude of different design decisions by its designer Daniel Perraudin.

In order to maintain a harmonious canon of shapes and to do justice to its construction and symmetry, he varied individual letter widths. He emphasized this unique character further with unusual glyphs, the diagonal endings or angular dots. The characters beautifully oscillate between Art Deco influences and more technoid, monospaced influences of the nineties as well as the classical effect of fully reduced geometric grotesques. All together, these design idiosyncrasies result in a compelling, contemporary mix.

The range of West is also something rather special in the geometric genre: nine font styles ranging from Hairline to Black, matching Italics as well as variable fonts that are all included in the Complete Package, giving the user full flexibility.

Thanks to the exceptionally open “un-compact” finish, West is recommended not only for display use but also for smaller text or for wayfinding or signage systems.

Typeface of the Month: West by Fontwerk

Foundry: Fontwerk 
Designer: Daniel Perraudin 
Release: May 31st, 2021
Styles and Weights: 18 (9 upright weights ranging from Hairline to Black and corresponding Italics)
File Formats: ttf, otf, woff, woff2 
Price Single Style: € 50.–
Price Full Family: € 350.– (Variable fonts included in the family package)
Buy

Watch an inspiring video about West here

Three Best Branding Tips From Lovework Studio

Did you ever wanted to create a brand strategy that resonates and a brand identity that cuts through? To deep dive into Branding? Robyn & Campbell Butler invite you to their three-week Branding NOW online course from June 3rd until June 24th, 2021. Apply until May 31st, to get your Special Offer! Branding is more than just crafting logos and typefaces. According to Lovework Studio, brands need to go further than that. To give you a taste, we would like to present Three Best Branding Tips From Lovework Studio that are important to keep in mind when developing strategies or brand identities:

Tip #1
Ask the team “what is your brand fighting against?.” Get them to write their answer on a blank protest sign, make a punchy slogan and draw a symbol for the movement. Everyone holds their sign aloft and leads a protest through the office! This activity helps the team to think about the really important things the business stands for and how to articulate it.

Tip #2
If it doesn’t make you cringe it probably exists already. Make it simple enough to work at any size but detailed enough to provide meaning. It takes hundreds of variations before you get a logo that works. When you get the right design, you know. It conveys the right meaning, has the right attitude, and stands out from the crowd.

Tip #3
When your team has lost momentum, stop what you’re doing. Get them team together. Break down the job into bite sized chunks. For example, get everyone to spend an hour just working on color palettes. Then come back as a group and review.

Loved these Three Best Branding Tips From Lovework Studio? Then you’ll enjoy the ultimate Branding NOW online course led by Robyn & Campbell Butler. From creating a strong brand strategy, story, and brand identity, to leading the team and launching the brand into the world—this online course covers them all.

Brought to you by Future London Academy—an Executive School for Creatives where you learn the latest frameworks in branding, innovation, UX, and design leadership. 

Three Best Branding Tips From Lovework Studio—Branding NOW Course

What?
Branding NOW online course led by Robyn & Campbell Butler (Lovework Studio)
The course includes five hours of pre-recorded video content, weekly Q & A sessions and exercises and feedback. After completion of the course you will receive a completion certificate.
Course length: Three weeks
Special Price: £ 990.– (Until May 31st)
Full Price: £ 1,190.–

When?
June 3rd to 24th, 2021

Where?
Online

Sign up here
For further information visit the Future London Academy’s website 

Lottery: Arpona Sans Family

Take your chance to take part in the Lottery: Arpona Sans Family — By Floodfonts

Arpona Sans is a contemporary sans serif family inspired by the work of Edward Johnston and Eric Gill for London Underground. As well as its serif companion Arpona it is a symbiosis of different design concepts. Arpona Sans combines the aesthetics of a geometric Sans with the usefulness of the humanist concept and the calm of the modernist proportions. Arpona Sans is a good choice for editorial design, branding, app design, and web design—a poetic workhorse well readable even in running text on screen.

The family comes with nine weights, ranging from Thin to Black plus corresponding Italics. Each style includes 588 glyphs supporting all western-, eastern-, and central-european languages including four sets of figures and various currency symbols.

“When I had just finished the serif fonts of Arpona, I decided to test the concept as a Sans and drew a few sketches. One of the results I liked the most reminded me of the alphabet Edward Johnston drew for the London Underground later revised by Eric Gill and published as Gill Sans. Gill Sans was an influencial predecessor for all modern Humanist Sans as well as for the Geometric Sans concept. It is still in use today but unfortunately there are quirky details in many letters (for examle the calligraphic influence on ‘a’ and ‘R,’ the right angle in ‘p’ and ‘d,’ or the extreme dynamic in the stroke modulation) and the family had never become a homogenous piece of design nor even the single fonts.
Because of its strong character I very much liked the idea to interpret the typeface in a new and contemporary way. I decided to keep the mix of concepts and add even more components due to the fact that modern letter proportions work better on screen. Apart from that I tried to remove unusual details focussing on a consistent design as if cast from one mould.” — Felix Braden

Now you have the chance to call the Arpona Sans Family your own: We raffle a desktop license of the whole Arpona Sans Family. To take part in the lottery, write an email to [email protected] with the subject “Arpona Sans.”  The lottery ends on June 4th, 2021, 11 a.m. (UTC+1). The winner will be drawn after the deadline and contacted by email. Whoever takes part in the raffle agrees to receive news from Slanted and accepts the privacy policy. Legal recourse is excluded. We wish you good luck!

Lottery: Arpona Sans Family

Foundry: Floodfonts
Designer: Felix Braden
Release: March 9th, 2021
Format: OTF, WOFF
Styles and Weights: 18 weights from Thin to Black (incl. Italics)
Price Single Style: $ 49.– 
Price Full Family: $ 495.–
Arpona is part of Adobe Fonts and freely available for all users of the Creative Cloud
Buy here or get your Variable fonts and Trial fonts on request
Until 6/29/2021 there is a 60% introductory discount at Fontshop (for the whole Arpona Sans family and for the individual cuts)

If you want to know more about the Arpona Sans Family, check out Floodfonts or MyFonts

cache 01: Gegen|Wissen

How can the social dimension of Open Access in the humanities be strengthened? What kind of stories would arise if the individual caches, the places for unfinished things in everyday research, were interconnected? cache is a series and publishing tool for research groups examining exactly that. It enables research collectives to work together on a topic, to arrange source material associatively and to publish books generatively and as open access on a website. The resulting series is a mixture of a collective essay and material collection. cache 01: Gegen|Wissen is the series’ first edition.

Basic idea of ​​the design was to automate repetitive activities in the design process and to provide the researchers with an easy-to-use tool. Contrarily to the series’ name cache, the script-based approach is on purpose being exhibited in the layout-design. The layouts are therefore subject to many intrinsic logics in terms of vertical arrangement, column handling, and hierarchy. Therefore the projects’ backend generates various HTML- and PDF-versions based on XML data.

Its first issue Gegen|Wissen inquires the role of the sciences and knowledge in the protest movements of the 1970s and 1980s.

cache 01: Gegen|Wissen

Designers: Loraine Olalia, Reinhard Schmidt, Victoria Knabe, Michael Simic
Coding: Janis Perren
Editors: Nils Güttler, Niki Rhyner, Max Stadler
Authors: Max Stadler, Nils Güttler, Niki Rhyner, Mathias Grote, Fabian Grütter, Tobias Scheidegger, Martina Schlünder, Anna Maria Schmidt, Susanne Schmidt, Alexander von Schwerin, Monika Wulz, Nadine Zberg
Publisher: intercomverlag, Zürich
Release: October 2020
Typefaces: “cache Mono” by Atelier Mateo Broillet (custom font, 8 weights in normal and extended width), “Gerstner-Programm” by Forgotten-Shapes, “Lyon Text Regular No 2” by Commercial Type
Volume: 528 pages
Format: 16.8 × 24.5 cm
Language: German
ISBN: 978-3-9524954-4-5
Price: € 25.–
Buy

 

aiXdesign

What is the future of design? How does artificial intelligence influence designers and creatives? aiXdesign is a research project at the University of Applied Sciences Hamburg (HAW Hamburg), centered around the question how complex algorithms, incorporating big data collections, change the way designers work.

We are undergoing another digital transformation: Big Data, Machine Learning, and other artificial intelligence methods are becoming part of many products and services. A.I. is increasingly becoming a part of design tools, which have always influenced the characteristics of the products and services they help to create. Therefore, the question of how design is influenced by A.I. and what impact A.I.-influenced design has on society is extremely relevant. Not only for designers and the creative industry, but the entire society.

To face this new and rapidly evolving field aiXdesign is all about gathering opinions, opening up discussions and building a community with people from different backgrounds facing the questions of our technologically infused working world.

The website aiXdesign.space contains seven crucial questions regarding designers’ sentiments towards artificial intelligence. The goal is to get a bigger picture how machine learning technologies are perceived in the creative industry. What do you think? Share your opinion in the aiXdesign.space! To get a deeper insight in creatives’ work with artificial intelligence aiXdesign invites speakers from various backgrounds to the aiXdesign.space shuttleevents. Every other Wednesday at 6 p.m. (CET) experts from all over the world give insights about their experience: From machine learning at Adobe, automated advertising in design agencies, artistic approaches to image and sound generation to all the questions beyond.

Sign up for their newsletter or visit their website for further information