The poster depicts a font composition of letters that spell out the name Palianytsia and show the identity of the Ukrainian language.

here in ukraine, we have more and more frequent conversations about the demographic crisis. women are shown the need to be a mother, a protector (“beregynya”). but women are not the incubators, our “clocks are not ticking”, we are individuals who independently decide whether we need to become part of the “demographic issue” and give birth to children.

‘There is a short moment, when a huge change approaches, that you are left alone. It could be that you lost someone and grief about them, it could be that you have to move to another place. Before new things come closer to you, you stand silently and look. You see the reflection of yourself in the past and in the present, just as if you look at a lake. You contemplate. Finally, when you dare to take a step ahead, you find yourself in the unknown. In the water.’ –

Contra — a diverse type family with two connected contrasts. It has two extremes: normal “Text” style and dynamic, a bit brutal “Negative”. And in addition to them — “Mix”, which blends between these two contrasts and gives an unexpected result.

A phrase that reminds of the centuries-old struggle of Ukrainians for their identity, freedom and independence. It is a litmus test of belonging to the nation of heroes who gave and are giving their lives for the peaceful future of their children, for the future of their homeland and the whole world.

A series of poster reflects the routine of the author, influenced by russian full-scale war against Ukraine

The poster depicts a font composition of letters spelling out the name Ukraine and showing the identity of the Ukrainian language.

The series of war posters created in the first months of full-scale russian war against Ukraine

The painting “Passionate”, part of a series dedicated to emotions, explores the themes of passion and fervor. It incorporates elements of Petrykivka painting, where flowers vividly express emotions. The heart from which they bloom symbolizes profound feelings, while the pair of pheasants enhances the visual impact, portraying attraction and devotion.

I just really love constructivism, Escher, angles, Kharkiv, my drawing teacher before entering the university, corals from the Black Sea when my mom and I used to travel to Crimea. I just hope nothing will ever end.

FREE the Leopards.

The coming of the autumn in the eyes of a child: warmth, dry grass and the wings of the leaving birds.

The series of posters reflecting on the topic of home, inspired by the song “This must be the place” by Talking Heads.

This Vytynanka was inspired by one of Kyiv’s symbols — chestnut (and Catherine’s dog, who adores playing with them).

Sviatoslav Hordynskyi was a renowned Ukrainian artist and graphic designer. His works have inspired my new typeface design. The verse ‘А я у гай ходила’ is by the Ukrainian poet Pavlo Tychyna.

Visualization between heartbeats and rocket explosions. When he feels life and death that pulsate in the same rhythms.

I love it when you have a great visual link between the exhibition’s catalogue and the exhibition itself. Here I’ve “imported” the yellow color of the artist’s total installation into the book. Sahaidakovsky is a Lviv-based artist and his approach lies in recycling everyday objects in an unusual way. Once I saw a hand-cut signage that invited to eat in a local cheap canteen in a small village. So, letters I found turned out to become a basis for creating this accident font. Recycling was a key.

The comic is a part of the ongoing series documenting war.

This work is inspired by a real building in Kyiv called the “UFO” (Літаюча тарілка) which is under the threat of demolition. In the artwork, the author exaggerates this building, transforming it into a large flying ufo somewhere in the future.

The poster shows a pendulum. The Russian bullet that hit Ukraine and started the war. Now this bullet is dangerous and threatens everyone.

These t-shirts were specially designed and produced as a collaboration between two Ukrainian art collectives: GALAS and O–PLICH– for a charity event in Warsaw. The print portrays a list memorable days for Ukrainians, balancing and depicting an essence of both tradition and nation. There was only three t-shirts made.

Creative team:
Vlad Boyko, Viktoriia Kovalenko, Madina Mahomedova, Ilia Dolbniev

Production:
Ruslana Nigalchuk

Screenprinting: Kwiaciarnia Grafiki

Vokzalna (Railway) Station Identity, inspired by the perpetual heartbeat of the city – the Kyiv Metro. Most people admire Kyiv’s landscapes, but few seem to pay attention to its equally picturesque underground. This identity was born from exploring the visual identity of the area and began with the idea that the station’s hall wall grid could serve as an ideal canvas for lettering. A mesh that narrates the journey’s path.

This is a comic strip about the belief systems we adopt as children and struggle with in our adult lives. Anastasiia focuses on the idea of justice seen through the lens of detective stories she used to read in her childhood, and how distorted it became after the full-scale invasion.

They express Honor and Respect to the defenders, as well as to all those who care from the countries that support Ukraine. Glory to Ukraine!!! Glory to heroes!!! Ukraine and Germany together. Love wins.