Wzory Lublina

The project Wzory Lublina by Polish graphic designer Tomasz Smutek is a collection of patterns inspired by details of the city of Lublin. The patterns were inspired by interesting architectural details, graffiti, characteristic arrangement of windows or columns, well-known buildings, floors, architecture of v-shaped supports, store signs, facade decorations, roof shapes, benches, and sculptures. The photographs feature such buildings as the Center for the Meeting of Cultures in Lublin, the Maria Curie-Skłodowska University Library, the defunct Kosmos cinema, the building of the Catholic University of Lublin, Lublin Castle, the Trinity Tower, the Academic Canteen of the Maria Curie-Skłodowska University, Litewski Square, the archcathedral of Lublin, and the tenements of the Old Town.

The patterns were developed in the form of monochromatic graphics presented together with photographs of objects of our city, on the basis of which they were created. The project was carried out on a scholarship of the President of Lublin.

Wzory Lublina

Idea and Design: Tomasz Smutek
Have a look at all the location of the patterns on the map of Lublin and a presentation of the work in an Online exhibition

Picture 8: Center for the Meeting of Cultures, Theatre Square 1
Picture 9: UMCS Library, 11 Idziego Radziszewskiego St.
Picture 10: Meeting of Cultures Centre, 1 Theatre Square
Picture 11: Chatka Żaka, 16 Radziszewskiego St.
Picture 12: VIVO! Lublin, 2 Unii Lubelskiej Avenue
Picture 13: Pavilion, 6 Rymwida Street
Picture 14: St. Joseph Church, 7 Filaretów Sta.
Picture 15: Pavilion, 6 Rymwida Street

The Shipping Container

The Shipping Container is an infographic website on the topic of containerization. The website layout is focused on creating a storytelling narrative based on a flowchart.

The process of containerization is one of the main driving forces of globalization and international trade as we know them today. With the introduction of a uniformed and normed system of container transportation a century old problem for shipping had been solved and the basic condition for large-scaled world trade was initiated.

When was the last time you were driving behind a truck carrying a container? And didn’t you wonder: What is inside all of these containers? Anything you use, buy, consume—even the device you are using now—was part of a worldwide logistical network of intermodal transport. Containers carry a range of products from food and fresh produce to electronic equipment and paper. They have become part of our lives and culture. They are used and repurposed in many ways.

If you are curious about how many containers are shipped per year, which problems suppliers had regarding delivery before the invention of containers, how international trade has changed since then, and everything else there is to know about containerization check out the project. It gives access to this exact information in an appealingly and interesting way.

The Shipping Container

Design: Nahuel Gerth
Fonts: Telegraf Ultralight, and Ultrabold from Pangram Pangram Foundry
Release: Prague, 2020

Hans Hillmann Archive

On the occasion of Hans Hillmann’s (1925–2014) 95th birthday the idea of a Hans Hillmann Online Archive was born, which makes all of the graphic designers works accessible—from early drawings from his studies to his last works. Together with Marlies Rosa-Hillmann, the designer’s widow, new scans of objects from the estate were made.

Hans Hillmann was one of the most important German graphic designers of the postwar period. The high quality and novelty of his work made him famous beyond the borders of Germany. In 1954 Hans Hillmann began working with Walter Kirchner, a film enthusiast from Göttingen, who brought masterpieces of international film history and young art house cinema to Germany with his company Neue Filmkunst. By the mid-1970s more than 150 film posters for films by Akira Kurosawa, Jean-Luc Godard, Pier Paolo Pasolini, Luis Buñuel, or Ingmar Bergman had been designed. Art director Willy Fleckhaus commissioned Hillmann as illustrator for iconic twen magazine, and, from 1980, for the magazine of the Frankfurter Allgemeine Zeitung. For many years Hillmann drew the covers of the German editions of the books by John Updike, but also covers for Ernest Hemingway, or Jack London. In the mid-1970s, Hillmann’s idea of realizing a complete film in paper form became tangible. In a work lasting several years, he transferred the plot of a Dashiell Hammett thriller into hyper-realistic watercolor drawings. The book Flypaper was published in 1982 and set new standards in the field of graphic novels. As a teacher at the Kassel Design School, he also influenced countless students for nearly three decades.

The website makes some 800 film posters, book covers, and magazine illustrations from seven decades of graphic work accessible. Unpublished sketches and drafts are included as well as realized works. Graphic designers and researchers can use the new website to explore Hans Hillmann’s extensive oeuvre both intuitively and in a very targeted manner.

This project is the first to make the entire life’s work of an important graphic designer digitally accessible in such a comprehensive form. Dusseldorf-based design studio vista is responsible for the online database, which conceived and implemented the database solution under the direction of Katharina Sussek and Jens Müller. vista is an award-winning studio for communication design working in the field of corporate identity, editorial design, and digital solutions for clients from Germany and abroad. Jens Müller is the author of bestselling design books such as Logo Modernism, Lufthansa+Graphic Design, or The History of Graphic Design.

Alongside the online archive, the book Moving Pictures, published by OPTIK BOOKS, shows for the first time all of Hans Hillmann’s film posters in a large-format illustrated book. The bilingual book documents the process of finding ideas and the different design approaches in illustration, photography, and typography, using the posters as examples. The book is available at Slanted Shop.

Hans Hillmann Online Archive

Design: vista
Occasions: 95th birthday of Hans Hillmann (1925–2014)
Volume: 800 film posters, book covers, and magazine illustrations

Publication Moving Pictures

Publisher: OPTIK BOOKS
Design: vista
Language: English, German
Format: 19 × 28.5 cm
Volume: 208 pages
Printing: 4-color Offset
Bookbinding: Swiss brochure with open stitch binding
Paper: Munken Print
ISBN: 978-3-9822542-0-3
Price: € 38.–
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SAW

SAW (audio visual-station) is an Interactive lighting installation (neon), which reacts dynamically to the intensity of sound (noise), located in downtown Katowice, Poland, situated on one of the advertising poles. The installation is a kind of membrane that resonates with the environment. 

The SAW neon sign fades in response to noise. The arresting and stark nature of this installation encourages silence while simultaneously provoking increased consciousness and awareness of global threats. It deals with topics such as COVID-19, environmental pollution (noise and air), social isolation. The installation is partly made of recycled materials.

SAW stands for S–stacja [PL] (station), A—audio [PL] (audio), and W—wizualna [PL] (visual). Also for S—silence, and AW—awareness.

About the designer
Marta Gawin (born in 1985, Poland) is a multidisciplinary graphic designer specialized in visual identity,
 communication, poster, exhibition, sign systems, book, and editorial design. Since her MA in Graphic Design (Academy of Fine Arts, Katowice) in 2011, she has been working as a freelancer for cultural institutions and commercial organizations. Her design approach is conceptual, logical and content-driven. She treats graphic design as a field of visual research and formal experiments.

SAW
Concept & Design: Marta Gawin
Production Neon Signs: Raz Dwa
Photos: Krzysztof Skóra and Paweł Krzywdziński
In Cooperation with the City of Katowice

The 41st Annual of the Type Directors Club

The publication The 41st Annual of the Type Directors Club is now available at Slanted Shop.

This beautiful 384-page book, designed by Anagrama in Mexico, features over 500 full-color images of international graphic design and type design in a wide range of categories, including books, magazines, corporate identities, logos, stationery, annual reports, video, web graphics, and posters.

The Type Directors Club of New York reinvents itself. The TDC book as a classic remains! Excellent typography, nothing else.

Design competitions are now a dime a dozen, but one shines as a beacon in the world of typography: that of the Type Directors Club of New York. Founded in 1946 as an informal lunch meeting of typo-savvy agency creatives, the TDC focuses on judging typographic quality. A TDC Award accelerates graphic design careers. The 41st Annual of the Type Directors Club showcases the latest winning work from book design to packaging and posters to exhibition concepts, interactive applications, and corporate design.

It is a trend seismograph, inspiration and yardstick, documentation of zeitgeist and quality timelessness in design. Because quality craftsmanship unites the works that make it into the book. Cutting edge is allowed, but without skill it is worth nothing. Regularly leafing through the book sharpens your eye for detail—and inspires your work.

The TDC is unbiased and unprejudiced. Simply the best wins!

The 41st Annual of the Type Directors Club

Publisher: Verlag Hermann Schmidt
Design: Anagrama
Volume: 372 pages
Format: 21 × 28 cm
Language: English
Workmanship: Highly embossed hardcover with straight spine, scratch-resistant matte foil, and partial gloss varnish
Price: € 69.–
ISBN: 978-3-87439-955-5
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All Eyes On

The German Design Council has developed a rich digital program called All Eyes On for the presentation of the German Design Awards 2021 winners and exciting topics related to design.

The highlights of the German Design Awards 2021 will be presented in a digital format from February 12th–March 12th, 2021. In addition to the presentation of the gold winners in the respective award disciplines, the Newcomer of the Year award will also be announced. This year’s Personality of the Year is Paola Antonelli, architect and curator at the Museum of Modern Art (MoMA) in New York. In an interview with Lutz Dietzold (CEO of the German Design Council), she talks about the high points of her curatorial work so far as well as international design discourse.

In further interviews and talks, industry and design experts discuss the most important trends around the focal points of innovation, brand, sustainability and digitalization.

This year’s Personality award went to Italian-American architect and curator Paola Antonelli. Antonelli was born in Sardinia in 1963 and studied architecture in Milan. She has curated various different design exhibitions in Italy, France, and Japan, and writes for various high-profile publications. The Museum of Modern Art (MoMA) in New York appointed her a curator in 1994.

“Through her previous work, whether as a curator, editor or author, Paola Antonelli has made an extraordinary contribution to design being perceived by a broad audience as a diverse cultural asset—and therefore as part of both an individual and societal identity—rather than being reduced to just aesthetics and functionality,” says Lutz Dietzold, reciting the jury’s decision.

The German Design Awards 2021 were given out in three award disciplines: Excellent Product Design, Excellent Communications Design, and Excellent Architecture. This year saw over 4,200 entries from 60 different countries. Accordingly, the international jury with representatives of business, science and design worked arduously to make their selection from the superb submissions. In the end, it picked a total of 76 Gold recipients in 71 categories.

German Design Awards
One of the core duties of the German Design Council is to observe, analyze and evaluate international developments in design. The German Design Council has established one of the world’s most recognized design prizes with the German Design Awards. The winners of each year’s German Design Awards are an example of the commercial and cultural value of outstanding design. They also offer a point of orientation while representing current issues and directions of design.

The German Design Council
The German Design Council has operated as one of the world’s leading centers of expertise in communication and knowledge transfer within design, branding and innovation since 1953. It is part of the worldwide design community and has always contributed to the establishment of global exchange and networking thanks to its international offering, promotion of new talent and memberships. With events, conventions, awards, jury meetings, and expert committees, the German Design Council connects its members and numerous other international design and branding experts, fosters discourse and provides important stimulation for the global economy. More than 340 businesses currently count among its members.

All Eyes On

When? February 12th–March 12th, 2021

Get further information about “All Eyes On” and all the winners of the German Design Awards 2021 and have a look at the program
The Winner of “German Design Award Newcomer” will be announced on March 5th, 2021.

Woodcut Vibes

We are very proud that today we can release the beautiful publication Woodcut Vibes by artist Roman Klonek. Let yourself be enchanted by this unique illustration form and be carried away into the magical world of woodcut printing.

For the release of the publication we talk to Roman Klonek about his wood cut work and present the publication online. We look forward to your participation via Zoom! Be invited to JOIN THE MEETING on February, 10th, 2021, at 7 p.m. (UTC+1). The ID and password are needed only if you don’t join via the direct link: Meeting ID: 460 202 5703, ID code: Xn6395

Roman Klonek, born in Kattowitz / Poland, has a spot for old fashioned cartoons and modern block printing styles. In the 90s he studied Graphic Arts in Dusseldorf and discovered a passion for woodcut. With this book the Dusseldorf-based artist gives a detailed insight into the working process and the background of his woodcut prints. 

The woodcut technique is particularly interesting, as it is primarily known as a “very old” medium and therefore often creates a surprise effect, especially with contemporary motifs. Feel invited to follow the pages about a variety of whimsical characters, often half animal / half human in preferably curious surroundings and embarrassing situations. 

A bizarre balancing act between propaganda, folklore, and pop!

Woodcut Vibes

Artist: Roman Klonek
Publisher: Slanted Publishers
Design: Eva Sieben & Robert Buergel
Intro Text: Prof. Wilfried Köpke
Release: February 2021
Volume: 160 pages
Format: 16 × 24 cm
Language: English
Workmanship: Softcover with flaps, thread stitching
ISBN: 978-3-948440-19-0
Price: € 22.–
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European Design Awards 2021

The European Design Awards 2021 is now officially open for entries. Designers from around Europe are invited to begin their submissions, which can be made before February 26th, 2021. 

The European Design Awards is an annual event, bringing together the best examples of communication design in Europe. As a joint initiative by the major communication design magazines on the continent, it is widely recognized as one of the most prestigious design awards on an international level. 

Winning an ED-Awards prize is a career-defining moment. It brings recognition amongst your peers, respectful clients, and new projects. Through our media network, winners receive maximum exposure for their hard work and efforts.

Submissions are carefully evaluated by a jury who are drawn from representatives of the leading design media in Europe. The jury members are all design editors, publishers, critics, and academics who curate communication design on a daily basis.

We are more than proud that our managing and art director Julia Kahl was selected for the jury of the print products this year. You can find the complete jury line-up here.

European Design Awards Festival
This years European Design Awards Festival will take place at Valencia, where the festival was supposed to take place in 2020, but had to be canceled due to COVID-19. The festival will include an awards show, conference, workshops, exhibitions, studio walks, and many other events. Creative people from all over Europe are expected to join the many events, which will also be open to the wider public. Please note that due to the ongoing pandemic, festival dates are provisional. Alternative plans are being drawn for all possible scenarios.

European Design Awards 2021

Entry Deadline: February 26th, 2021
Physical Samples: should be at the Athens office by March 10th, 2021
Notification of finalists: from April 11th, 2021 
Awards Ceremony and Festival: June 10th–13th, 2021

Get more informations about how to submitsubmission fees, and the award itself

Stadio

To celebrate the 100th birthday of Aldo Novarese—Italian master of type design—Zetafonts is developing the digital revival of Stadio, a forgotten reverse contrast masterpiece designed by Novarese in 1974 and published only as rub-on transfer. Developed by Letraset in 1961, dry transfer letters have been for almost three decades an essential and beloved tool to graphic designers, architects, illustrators, and stationery lovers.

In Italy the most famous alternative to Letraset was the R41 line produced by Reber, which acquired directly from the type foundry Nebiolo the rights of its typeface designs by Aldo Novarese. R41 produced not only rub transfer versions of masterpieces like Eurostile, Estro, Stop and Forma, but also some of Novarese’s less known designs. Stadio, published by Reber in 1974, is one of these unpublished typefaces, with a striking design. Its name means literally “football stadium,” a reference to sports that fits well its curvy, bold shapes and its reverse contrast.

Prompted by the discovery of Stadio on the pages of Novarese’s book Il Segno Alfabetico, Zetafonts contacted R41 to propose its revival, to be published in 2020, on the occasion of Aldo Novarese’s 100th birthday.

Zetafonts design team worked on both a faithful recreation of the original design of Stadio and a family extension, exploring the possibilities of its language. Fans of Novarese and typeface lovers can pre-order Stadio Now on Zetafonts website, choosing between the standard pre-release edition and a deluxe one, that includes a limited edition fan scarf, designed by Allfontsarebastards, as well as the original R41 transfer sheets.

Zetafonts also involved the Italian graphic design community in Coppa Stadio, the first Italian football poster design cup, as a homage to Novarese through the fascination of ’70s football. Arnica Design, Studio 23.56, Leftloft, Davide Pagliardini, Happycentro, Basiq, Giovanni Stillittano, Rupert Graphic, Muttnik, Mister Gatto, Zup Design, Allfontsarebastards, Francesca Perpetuini, Testimanifesti, Dopolavoro, Sunday Buro, Francesco Paternoster, Fra! Design, Bob Liuzzo and Mooggeene have all contributed a poster dedicated to a regional football team of their choice.

Stadio

Designers: Cosimo Lorenzo Pancini, Andrea Tartarelli, and Francesco Canovaro
Type Foundry: Zetafonts 

Release date: December 2020
Weights: 10 weights + 10 Italics + 2 variable fonts
5 Stlyes:
Stadio Now Display (Thin, Thin Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Heavy, Heavy Italic)
Stadio Now Text (Regular, Italic, Bold, Bold Italic)
Stadio Now Hard (Display, Display Italic)
Stadio Now Monolinea (Monolinea, Monolinea Italic)
Stadio Now Novarese (Novarese, Novarese Italic)

File formats: OTF, TTF, EOT, WOFF, WOFF2
Test version
Prerelease Prices: single weights from € 29.–, full family (22 weights) from € 62.– 
Buy

Tonight at Merlin

The publication Tonight at Merlin captures the collection of posters graphic designers Mark Bohle and Raffael Kormann designed over the course of a year, for all concerts at the music and arts venue Kulturzentrum Merlin in Stuttgart. For each of the 80 posters, some of which have been awarded internationally, the publication offers an honest glimpse into the visual making-of and the corresponding thoughts behind. Moreover the publication is linked to the bands and their posters, enabling the reader to listen to the corresponding sound while deep diving into the artworks.

Three essays by Arne Hübner (booking Merlin, designer and DJ), Niklaus Troxler (poster designer and founder of the Jazz Festival Willisau), and Das bisschen Totschlag (Brunchpop-Band) contextualise this stimulating symbiosis of visual communication, music, and popular culture.

“The present publication shows an impressive annual production by a design team that draws on unlimited with high design standards.” — Niklaus Troxler

About the Designers
Raffael Kormann is a graphic designer and art director currently based in Stuttgart, Germany. After spending some time at ZEITmagazin in Berlin and Bureau Borsche in Munich, he graduated from the Stuttgart State Academy of Art and Design. His creative practice involves every kind of visual communication—from corporate design and identity to all kinds of digital media, web design and moving image. Mark Bohle is a graphic designer. His studio in Barcelona works in a variety of cultural and economic fields. Their approach and graphic work is based on image-creation and grid-definition. They aim to structure content and communicate content in a coherent way.

Tonight at Merlin

Editor: Mark Bohle, Raffael Kormann, Kulturzentrum Merlin
Publisher: Prima.Publikationen
Design: Mark Bohle, Raffael Kormann
Release: November 2020
Format: 21 × 29.7 cm
Volume: 192 pages
Language: German
Workmanship: Swiss Softcover
Binding: Japanese Binding
ISBN: 978-3-9821198-3-0
Price: € 33.–
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Stiftung Buchkunst: Call for Entries 2021 

The Stiftung Buchkunst (Engl.: Foundation for Book Design) invites you to participate in two of their competitions Die Schönsten Deutschen Bücher 2021 (Engl.: The Best German Book Design 2021) and Förderpreis für junge Buchgestaltung 2021 (Engl.: Sponsorship Prize for Young Book Design 2021). The deadline for both competitions is March 31st, 2021.

Die Schönsten Deutschen Bücher 2021 (Engl.: The Best German Book Design)

In the competition of Die Schönsten Deutschen Bücher by Stiftung Buchkunst, 25 books are selected for award by an independent interdisciplinary jury of editorial design experts. The books chosen are outstanding examples of design, concept, and finish. There are five prize winners in each of the five categories: General Literature, Academic Works, Educational Textbooks, Guides, Non-Fiction, Art and Photography, Exhibition Catalogues, and Children’s and Young People’s Books. The selection also takes account of the more minimalistic, well-typed reading book.

All 25 books which gain an honorary award in the competition are automatically nominated for the Award of the Stiftung Buchkunst. Endowed by the German Government’s Representative for Culture and Media and with a total value of 10,000 Euros. This remunerative award is intended for books which show an exceptionally high degree of commitment on the part of their publishers and of all those involved in their production, and which through their overall design and finish provide new impulses to modern book design.

Förderpreis für junge Buchgestaltung 2021 (Engl.: Sponsorship Prize for Young Book Design)

Since 1989 the Stiftung Buchkunst has annually awarded the Sponsorship Prize for Young Book Design. Design Students, book designers, typographers, and those in production are invited to participate. The award is intended to promote innovative book design. The prize aims to recognize innovative ideas surrounding printed books as well as hybrid book forms. As a prize for innovation it can thus provide a stimulative arena for the books of tomorrow. The prize is endowed by the German Government’s Representative for Culture and Media with a total value of 6,000 Euros and is divided equally between three up and-coming book designers, 2,000 Euros each.

Stiftung Buchkunst: Call for Entries 2021 

Die Schönsten Deutschen Bücher 2021
Deadline: March 31st, 2021
Prize: 10,000 Euros
Participate

Förderpreis für junge Buchgestaltung 2021
Deadline: March 31st 2021
Prize: 6,000 Euros in total (2,000 Euros for three up and-coming book designers)
Participate

Parcours Winter 2021

Parcours are Us!—On the exhibition Parcours Winter 2021. Despite the difficulties and limitations that the current situation around Corona still brings to each and every one of us, Parcours will continue to serve as a platform for exchange, for inspiration and for the love of design this semester.

Design transcends boundaries, allows us to break out of familiar thought patterns again and again, and helps us to overcome challenges even in unusual times. The course of the Münster School of Design (MSD) at Münster University of Applied Sciences is more than just an exhibition. Close, personal and authentic. Because Parcours is all that. Parcours is more. Parcours reinvents itself. And so it has done in this semester, which has once again been extraordinary for all of us.

From the social magazine to sustainable product solutions to the flexible exhibition concept: Parcours presents design and designers in all their diversity. Against all odds, Parcours has always been and is especially unique now: tangible, digital, innovative—and this time, once again, virtual. Parcours is Us. You are invited to experience the final projects of the graduates of the Münster School of Design in a virtual tour from February 12th, 2021–14th, 2021. A live program will offer additional exciting insights as well as online lectures by the graduates.

You too can contribute to making the event a virtual space for encounters. A space in which we create a new, colorful image in all our uniqueness. Help to bridge the anonymity of the digital space. Visit Parcours from the comfort of your own home!

In various Zoom presentations, graduates will have the opportunity to present their graduation theses to a broad and diverse digital audience. There will also be a dynamic Instagram Live Talk with graduates from different fields of study. The aim of the talk is to give listeners an insight into the course of their studies, from stories about formative courses to finding a Bachelor’s or Master’s topic, and to provide interesting insights into the everyday life of a student at the Münster School of Design.

In addition, we are looking forward to an attractive panel of experts with the topic: Design point of view—Past—Present – Future, moderated by Dean Prof. Dr. rer. pol. Ralf Beuker and with experienced design experts such as: Nina Sieverding, Anton Rahwles (Editor-in-Chief Form Magazin), Bettina Schulz (Creative Paper Conference, former Editor-in-Chief NOVUM), Thomas Poschauko (Visual Artist, Author: Nea Machina) and Prof. Rüdiger Quass Von Deyen (Founder + Creative Director KD1 Designagentur, Co-Founder FURE The Future of Reading—Design Conference).

In addition, there is a podcast about the event with interviews and insights that you can already listen to!

Parcours Winter 2021

When?
February 12th–February 14th, 2021
See the full program here

Where?
Online on Zoom, Facebook, and YouTube
Language: German
Price: for free

TypeTech MeetUp—Second Session

The TypeTech MeetUp—Second Session with the theme Multiscript and Web typography will take place on February 26th, 2021, starting at 4:30 p.m. CET for about 2.5 hours followed by a relaxing online Chill & Chat. The TypeTech MeetUp is a forum to jointly develop, discuss, and document the current state of font technology as well as create a platform for the exchange of best practices, to advance the state of the art and to promote the integration of font technologies into the future of digital communication.

You can hear web designer/developer Hui Jing Chen and multiscript type designer Titus Nemeth as main speakers, who will each present a 30-minute talk, followed by a short interview with front-end developer Sara Soueidan lead by editor Linda Kudrnovská.

The first part is followed by a socializing/networking break with possibilities of private conversations or just hanging out in the virtual room with other participants and speakers.

The second part will be a moderated discussion group with experts Sahar Afshar, Irene Vlachou, Yanone, and Simon Cozens plus speakers for about one hour. Here the online audience will have the opportunity to ask questions and contribute to the conversation.

At the last agenda point designer/developer Yanone will present his open source font installation technology dubbed Type.World.

This event is the second TypeTech MeetUp out of four. The next events are: Tools and (collaborative) Font Design on May 7th, 2021, and Type Design and Society on July 16th, 2021.

TypeTech MeetUp—Second Session

When?
February 26th, 2021, starting at 4:30 p.m. CET for about 2.5 hours

Timetable:
4:15 p.m. Doors Open
4:30 p.m. Welcome: Boris Kochan, Gerry Leonidas, and Veronika Burian
Titus Nemeth: Flexible justification strategies for Arabic and beyond
Interview with Sara Soueidan lead by Linda Kudrnovská
Hui Jing Chen: East Asian typography on the modern web
6 p.m. Socialising Break
6:15 p.m. Moderated Discussion with Hui Jing Chen, Irene Vlachou, Sahar Afshar, Simon Cozens, Titus Nemeth, Yanone
7 p.m. Yanone presenting Type.World
7:15 p.m. Chill & Chat

Speakers: Hui Jing Chen, Titus Nemeth, Sara Soueidan, Linda Kudrnovská, Sahar Afshar, Irene Vlachou, Yanone, and Simon Cozens
Organizer: GRANSHAN together with Google, Glyphs, Kochan & Partner, and TypeTogether
Price: the event is free to attend but you can make a donation
Get your ticket here

 

INDEX

INDEX is a publication series, library, and collaborative community based on continual remix, input, and output from an open-source, managed library of writing, photography, drawings, and design, by Virgilio Santos, Andrew Chee, and Marc Shillum. A collaboration across three states and two time zones, Index Issue #1 FLAT explores and expresses what we observe as the flattening, flatness, and related qualities of living in the world today.

Founded during the SARS-CoV-2 Pandemic in 2020, INDEX is an open forum, inviting collaborators to pool their collective insight and understanding to fuel and promote positive social change.

FLAT was written, designed, and published simultaneously as a periodical and a shared library. In the print edition, they embrace the flatness of print-on-demand; like photocopying before, and hand printing before that, it celebrates the idea of an infinite facsimile. As an experiment in publishing, each copy may not be as intended, but an interpretation through the medium of distributed printing. As such, each version of this edition embraces chance imperfections, will be subtly different, slightly decayed by the deviation in machinery, handwork, paper-stock, trimming, binding, and shipping.

INDEX

Idea and Realization: Virgilio Santos, Andrew Chee, and Marc Shillum
Release: November 2020
Publishing: Rote Press
Format: 210 × 297 mm
Volume: 510 pages
Edition: Limited Edition of 250 copies
Language: English
Printing: black and white
Binding: Paperback
ISBN: 978-0-9969508-0-0
Price: $ 28.–
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Spring!

The publication Spring! Der Traum vom erfolgreichen eigenen Atelier – und der sichere Weg dorthin is now available at Slanted Shop.

Guide to independence! In their studies and the first years of their careers, creative people learn a lot about crafts and techniques, they develop their style, discover their talent. What hardly comes up is the economic aspect of the creative life. They live for their ideas, but how they make a living from them remains a book with seven seals. As an employed designer you get a more or less transparent salary, more or less insight into the figures. Rather less. And because numbers remind you of math, you also shy away from them. So you stay, change agencies, are more or less satisfied—but you’re afraid of the big leap into self-employment. It’s too dangerous. Too risky.

This book changes that!

Martina Flor has dared to do it. She enjoys the freedom to decide for herself which jobs she wants to take and which she doesn’t. When she works and what. She is her own boss and she likes to be that. She teaches and networks, travels and gives lectures. And she can make a living out of it. Even more: Every day she proves that children and career are not mutually exclusive if you plan and live your independence solidly. She knows about the stumbling blocks and pitfalls in the everyday life of freelancers. And she tells you how to avoid them or how to master them. She knows the advantages of a self-determined life. And she knows how to secure your independence in the long run.

Martina Flor has the gift of sharing her experience and knowledge in such a way that her energy and zest for life are contagious. Just like you, she loves what she does. Only she does it in her own rhythm. Sets her own priorities. And she describes all this with such infectious enthusiasm that you will want to follow her lead. At the same time, she gives you the tools that will make you a successful entrepreneur. Because you are nothing else than a freelancer. And that sounds very appealing, doesn’t it? You can dream of your own studio for the rest of your life—or you can take advantage of the times when everything changes anyway–and jump!

You are already self-employed, but things are not going well at the moment? Even then you can benefit from Martina Flor’s experience. She speaks openly about pricing and proposal preparation, about limiting and extending usage rights, about financial management and time planning and all those things that sound dry but ultimately decide whether you are satisfied with your creative routine or not. Seldom do founders speak so openly about their experiences; often money and reputation are considered company secrets. Not so with Martina Flor. She shares her knowledge generously. And at a retail price that is no obstacle, especially as it is tax deductible.

Spring! Der Traum vom erfolgreichen eigenen Atelier – und der sichere Weg dorthin

Publisher: Verlag Hermann Schmidt
Author: Martina Flor
Format: 15 × 21 cm
Volume: 160 pages
Language: German
Workmanship: Hardcover
Bookbinding: Thread stitching
ISBN: 978-3-87439-943-2
Price: € 20.–
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If you have an interesting book or magazine you have designed or published and would like to see in our shop, get in touch. Our marketplace is a growing spot for beautiful publications around the field of design, photography, art, illustration, and culture.

Related Stories

The Lebanon based studio JPAG made a beautiful 3D video series called Related Stories. The series, containing of four scenes, with four different people in four different cities, was launched in November 2020 but remains comprehensible in view of the still ongoing situation.

Human beings are buzzing with self-discovery and undeniable transformation. With an unstoppable contagion spread, the world was locked within itself, forced to think hard, and get creative to convert the homes from anti-pandemic prisons to friendlier, even productive areas of living.

Related Stories showcases billboards placed outside of homes that read the physical and emotional change each space has undergone. The large display shows the title of the room and the negative connotation that comes with it.

In the end, we come to understand how experiences work. We are first met with a massive billboard and its negative ideas as the initial greeting, pulling us into a journey of self-discovery and a positive mindset the more time spent in reflecting, allowing oneself to really take in the beauty of transformation.

About JPAG
JPAG is an award-winning Lebanese based group of creative minds, architects, and artists operating within the field of architecture and digital art. Their work is storytelling, mixing the pragmatic with the Utopian. They craft volumes and pixels into something more than a boring block of material, but a sensational piece of art. The atelier has been designing and portraying architecture passionately since 2014.

Related Stories

Idea and Realization: Jean-Paul El Hachem, JPAG
Release: November 2020
Check out the videos

Captions:
The Lonely Chef: Maria Sakr, New York 
Rat Hole: Khalil Osta, Paris
Mental Fitness: Wahib Charbel, Byblos 
Everyday Inn: Hadi Mroue, Milan
Sketch of The Lonely Chef
Sketch of Rat Hole
Sketch of Mental Fitness
Sketch of Everyday Inn

character#02

character#02 is the second specimag by Character Type—a blend of type magazine and a typeface specimen. Their rich archive of collected typeface specimens and type magazines has inspired them to marry the two into one creative space and share some recent type-related thoughts and insights, while introducing Character Type’s newest typeface super family NewsSerif.

character#02 features a photographic essay by Bettina Theuerkauf about the self-destructive tendencies of modern society. It also looks at the history of type families and works it’s way through the concept of variable fonts.

About Character Type
Character Type designs unique typefaces—custom and retail—to serve as tools in typography and branding for small and international brands. They are located in Hamburg, Germany.

Henning Skibbe founded Character Type in 2018. He is a professional type and communication designer, typographic consultant, creative director, and lecturer.

character#02

Publisher and Author: Character Type
Design: Character Type, Henning Skibbe, and Jakob Reinhard
Photographic Essay: Bettina Theuerkauf 

Format: 20 × 26 cm
Volume: 28 pages
Language: English
Typeface: NewsSerif
Printing: RESET ST. PAULI Hamburg
Price: € 9.80 
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If you have an interesting book or magazine you have designed or published and would like to see in our shop, get in touch. Our marketplace is a growing spot for beautiful publications around the field of design, photography, art, illustration, and culture.

Into the Wild—Designrundgang Offenbach

For five years now, Into the Wild—Designrundgang has been opening annually the doors to a diverse set of agencies and design studios in Offenbach, Germany. Graduates, professionals, and peers would undertake the endeavor to the “wild east” of the Rhine-Main-Region where Offenbach used to be a place overshadowed by its big sister Frankfurt. Now they call it the new Neukölln, Bronx or other (rather silly) analogies. And yet, it’s still quite a surprise for some people when they discover the scale of business innovation in Offenbach. That’s why the initiators came up with the name Into the Wild.

About this year’s event
Well, guess what, there wasn’t even a discussion whether there was going to be an online thing or not. However, the organizers were sure enough that they didn’t want another zoom conference. They wanted to produce an entertaining online format that provides a neat picture of Offenbach’s design branch as well as their demands and requirements for young professionals and graduates. Recruitment hasn’t ceased to be relevant during the pandemic.

This gave rise to the idea of the Wildcard Game, in which two agencies are matched and are going to play a game of question and answer. The goal is to draw a personal and authentic portrait of the agencies including their projects, people, and philosophies touching more serious subjects as the hiring games (“what detail makes a CV go straight to the trash?”) as well as fun topics about agency life like “Do you rather pull nightshifts or bring the kids to bed.” Two of these games are online and ready to be watched, more will be released.

Into the Wild—Designrundgang Offenbach

Concept, realization, and design: Urban Media Project
Supported by: the Economic Development Agency of the City of Offenbach and the Hessian Ministry of Economics, Energy, Transport and Housing

All films are going to be published at the “Into the Wild” website and on Instagram

Four Worlds

The work Four Worlds displays four tapestries of artist and designer Hannah Waldron on paper. It was published on the occasion of her solo exhibition Solmania at the Studio Fotokino, Marseille—which took place from October 10th, 2020 until November 22nd, 2020. Each tapestry is reproduced as a leporello, and is accompanied by a text written by the artist. The female weavers featured in these artworks represent four examples of the craftsperson as worldmaker, and relate to tales from classical Greece, the Tang dynasty in China, ancient Japan, and the Hopi tribe in Northeastern Arizona.

About the artist
Hannah Waldron is a British artist and designer who discovered the technique of weaving ten years ago and thus found her own graphic language. Since then she no longer works as an illustrator but rather explores the possibilities of the textile medium. Hannah Waldron studio specializes in designing and creating research-led unique printed and woven textiles that have an emphasis on storytelling.

Four Worlds

Title: Four Worlds
Author and Designer: Hannah Waldron
Volume: four Leporellos, a booklet and a yellow postcard with metallic Ink
Format: 12.5 × 15.5 cm
Language: English and French
Binding: Leporello
ISBN: 9782902565078
Retail price: £ 10.–
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Have a look at this video of Hannah Waldron in her studio creating works for her solo exhibition at Fotokino. Video made by Tim Laing.

Systematic Book Design?

Systematic Book Design? was written for a lecture the Swiss typographer and graphic designer Jost Hochuli gave for the first time in Munich in 2007, and then at the Palais de Tokyo in Paris in 2011 on the initiative of F7. The text has been first published in Back Cover magazine in 2011. John Morgan’s foreword was especially written for the present edition.

Does designing a book follow a logical and well-thought-out process? Jost Hochuli studies the crucial role played by instinct throughout the various stages of planning a book, from selecting a typeface and its size to determining the layout of the blocks of text.

Drawing on his own experience and examples taken from various books he created, Jost Hochuli considers the questions which arose while they were being designed and the importance of intuition in rational thought.

The Paris-based graphic design studio deValence designed the book.

Systematic Book Design?

Author: Jost Hochuli 
Publisher: Édition B42
Release: November 2020
Designer: deValence
Volume: 80 Pages
Format: 200 × 300 mm
Language: English
Translation: Charles Whitehouse
ISBN: 9782490077441
Price: 19.– Euro
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Diode

Diode is a modular geometric type system developed by MuirMcNeil, a London-based graphic design studio working in visual identity, brand communications, and typography, in collaboration with Natasha Lucas.

The Diode project began as one of a series of visual experiments examining the interdependence of positive and negative spaces in typographic forms, a feature that Lucas had first begun to investigate in her Bisect type system, published by MuirMcNeil in 2018. These explorations are a part of a larger body of work: the design of a coordinated visual system to promote a series of dramas by Harold Pinter known as his memory plays. Natasha’s Bisect and Diode alphabets are intended, she says, “to express the progressive fragmentation of language as it is eroded by the selective, faulty nature of memory.”

Using only three different geometric modules to build the Diode alphabet, Lucas explored the ways in which form and counterform could operate reciprocally, each defining the boundaries of the other, in the construction of letters and words that are playfully ambiguous while always remaining true to their alphabetic origins. The result is a type system that is structurally incomplete but that maintains its visual integrity and legibility by optimizing the use of space.

MuirMcNeil has developed Diode in three matching versions, one positive and two negative, and in three sets of individual letter component fonts designed to register precisely with one another in layers, offering a huge range of visual possibilities.

Diode

Designers: MuirMcNeil in collaboration with Natasha Lucas
Release: September 2020
Style: A positive / negative geometric type system in six different styles
Price: £ 45.– 
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Now, please follow me

The publication Now, please follow me – Eine kritische Designforschung is now available at Slanted Shop.

Critical design is a form of design research in which the designer has a fundamentally critical attitude towards society as well as with regards to his or her own discipline. The resulting design objects are supposed to stimulate reflection and create a critical awareness, but also corresponding changes in current social practices are intended. Critical design is able to solve social problems instead of just aestheticizing or reflecting on them. That this critical attitude is necessary is shown by the designer Susan Karrais on the basis of information graphics in their function of general knowledge transfer. Information is omnipresent, so information graphics are an indispensable instrument to process the flood of data in the contemporary “knowledge society.” The previously often unpopular task among designers has become a real trend in recent years. However, this only rarely led to a real qualitative improvement. Besides the still mostly missing theoretical reference framework, the conventional approach to simplification is the main criticism.

Now, please follow me – Eine kritische Designforschung (Eng. Now, please follow me—A critical design research) equally pursues the questions of orientation in the complexity of the world and its representability. In terms of critical design, the goal is not to find solutions but the identification of problems.

Now, please follow me – Eine kritische Designforschung

Author: Susan Karrais
Publisher: Merz Akademie
Format: 16 × 22 × 8 cm
Volume: 88 pages
Language: German
Release: 2013
ISBN: 978-3-937982-34-2
Price: 10.– Euro
Buy

If you have an interesting book or magazine you have designed or published and would like to see in our shop, get in touch. Our marketplace is a growing spot for beautiful publications around the field of design, photography, art, illustration, and culture.

Pictograms, Signs of Life, Emojis: The Society of Signs

This event is a digital evening of lectures in conjunction with the exhibition Pictograms, Signs of Life, Emojis: The Society of Signs at Leopold-Hoesch-Museum in Düren and Museum of Modern Art Freiburg. The digital lecture evening starts with an introduction to the content and design of the exhibition and publication project Pictograms, Signs of Life, Emojis: The Society of Signs. All lectures will be held in German for free on Zoom. In the planned lectures, five designers and artists will provide insight into their work and research on the pictorial sign languages on display. At the end, questions can be asked and the exchange about the project can turn into an open dialog with all participants.

About Pictograms, Signs of Life, Emojis: The Society of Signs
The exhibition Pictograms, Signs of Life, Emojis: The Society of Signs compiles a rich variety of visual languages, starting with Köln Progressiv, a socially engaged group of artists including Gerd Arntz. Arntz would later become an important member of Otto Neurath’s ISOTYPE collective. This introductory part of the exhibition mainly focusses on this team that created an influential body of work starting in Red Vienna around 1925 as the Viennese method of image statistics and that later becomes the International System of Typographic Picture Education.

The second part of the exhibition explores the development and reorientation of signs, starting with an artistic work of Harun Farocki and the infamous pictograms by Otl Aicher for the Summer Olympics Munich in 1972. These infographics and pictograms communicate without written language, a more radical attempt is to fully replace written language with an image language. The LoCoS language by Yukio Ota is easy to learn and has the goal to bridge global communication, while the artistic work of Pati Hill, Proposal for a Universal Language of Symbols, is inspired by pictographs invented by her bilingual daughter who, as a child, struggled with the grammar of English and French. Warja Lavater transformed fairy-tales into symbolic landscapes and Wolfgang Schmidt’s Signs of Life anchor the exhibition with a gigantic figure looking over the scene.

A third section of the exhibition contains different research and artistic positions including the Genesis of Juli Gudehus and Timothée Ingen-Housz’ Elephant’s Memory. This Open Emoji Research is separated from the rest of the exhibition by DOCOMO’s basic set of Emoji designed by Shigetaka Kurita in 1999 and is reflected with a voting-booth for Lilian Stolk’s Emoji-Voter. Ilka Helmig and Johannes Bergerhausen present a rich table of their own works and some highlights of their collection. Edgar Walthert compiled a “memory” of symbol-fonts, pictograms and icon-systems, that invites visitors to play and build sentences with. Next to this are two folders which include his comparative symbol research. In an extra room, the visitor is invited to take a seat inside the palm of a gigantic yellow hand and play around with the Signs of Life by Wolfgang Schmidt. This multimedia installation is created by the artists collective Gruppo-Due, consisting of Mortiz Appich, Jonas Grünwald, and Bruno Jacoby.

A Digital Evening of Lectures

What?
A digital evening of lectures in conjunction with the exhibition Pictograms, Signs of Life, Emojis: The Society of Signs at Leopold-Hoesch-Museum in Düren and Museum of Modern Art Freiburg.
All lectures will be held in German. Free admission. On the Platform: Zoom.
More information

When?
Friday, January 22nd, 2021, 6 p.m. to 11 p.m.

6 p.m.; Anja Dorn, Maxim Weirich; Pictograms, Signs of Life, Emojis: A virtual tour through the exhibition.
7 p.m.; Eva-Maria Offermann; Graphics in between Graphics … about the graphic design inside the exhibition.
7:30 p.m.; Break
8 p.m.; Edgar Walthert; Visual Grammar
8:30 p.m.; Juli Gudehus; »Icon spell« & swarm intelligence
9 p.m.; Break
9:30 p.m.; Johannes Bergerhausen, Ilka Helmig; picto-, ideo-
10 p.m.; Timothée Ingen-Housz; Elephant’s Memory: Welcome Global Baby!
10:30 p.m.; Project prospects & Q & A

Exhibition

After this event, the virtual exhibition will be launched at Die Gesellschaft der Zeichen

The exhibition takes place at Leopold-Hoesch-Museum, Düren until April 11th, 2021, and from May 6th, 2021, at Museum of Modern Art, Freiburg.

Co-curation: Dr. Michaela Stoffels, Maxim Weirich, and Anja Dorn.
Animation: Paul Zink Yi
Graphic-Design: Eva-Maria Offermann
Photos: Peter Hinschläger

Online Exhibition “Like Fish in the Sea”

Nearly 40 Hungarian artists, graphic designers, illustrators, and animation directors displayed how they perceive the freelancing lifestyle in the online exhibition Like Fish in the Sea. The event was organized by Balka and was presented at Budapest Design Week. The title of the project derives from a Hungarian proverb which roughly translates to “sound as a roach” meaning someone feels alright and lives a carefree life.

Being a freelancer or having a small company in the cultural and creative sector can feel like swimming against the current. Big fish eats the small fish or at least leaves no ‘project crumbs’ for the rookie. All home office days are like squirming on the beach not to mention that it’s not only the client who sees the speck in the artists’ eyes but vice versa. And what is more it seems to pay day never comes, but sometimes contracting doesn’t either. Business is hard to come by but hope dies last that someday, we will be the goldfish from whom only three modifications are requested.

The goal of the project is to create an online exhibition that reflects the phenomena of the creative scene with the cooperation of artists, to start a discourse on the daily struggles of freelancing, to bring the members of different areas closer together as well as to shed light on how cultural project management can aid designers. The challenges are very real and can take many shapes but they can also be mended, if the general patterns become visible and part of the public discourse. And maybe one day, freelancers can live like fish in the sea.

Online exhibition “Like Fish in the Sea”

Initiator and Organizer: Balka
Exhibitors: Zsófia Bányai, Tamara Bella, Atos Bencsik, Aliz Borsa, Kinga Covaciuné Czuczor, Zoltán Debreczeni, Gita Elek,Szandra Farkas, Hanga Fejős, Saci Gázmár, Áron Huszlicska, Hajnalka Illés, Csenge Kalmár, Zóra Kondor, Adél Kovács, Zsófia Láposi, Mátyás Locsmándi, Petra Lilla Marjai, Dániel Marton, Gábor Mészáros—game4d, Nikoletta Mihalik, Alíz Moldovan and Tamara Dózsa—Studio Oneperone, Kata Moravszki, Péter Morvai, Bence Musinszky, Máté Gergő Muszka, Aliz Nagy, Anna Prakfalvi, Alíz Stocker, Izabella Szabó, Réka Anna Szakály, Bernadett Tihon, Eszter Szőcs and Kriszti Szepes—Slag Kollektíva, Rita Vándor, Dóra Visky, Zoltán Visnyai, and Judit Zengővári

Have a look at all the fantastic work in this exhibition

Picture credits:
1: Kata Moravszki
2: Adél Kovács
3: Zsófia Láposi
4: Bence Musinszky
5: Máté Gergő Muszka
6: Aliz Nagy
7: Alíz Stocker
8: Izabella Szabó
9: Judit Zengővári
10: Tamara Bella