Blank Poster Volume 1—Experimental Poster Book

Blank Poster is an experimental platform where designers and visual creators can create posters based only on a randomly generated word. Anyone can participate in the exercise and the participants themselves choose how they want to interpret the random words and then visualize posters in their own way. Every week, all submitted posters are published at blankposter.com and a new word gets generated.

The goal of setting up this platform was to create an informal visual playground where creativity and experimental design would be the focus. This would allow creatives to try out new techniques and visualize creative ideas without restrictions.

Blank Poster was started in 2014 and has so far resulted in more than 12,800 posters created by people from all over the world. Now they have made their first publication, Blank Poster Volume 1 which contains 700+ posters by 393 designers from 53 countries and 5 interviews with participants.

The publication features posters that demonstrate the wide variety of designs within the online poster archive. Furthermore, it aims at showing the creative potential found in the experimental exercise of doing what you feel like within a short timeframe with minimal guidelines.

Book and more information here available blankposter.com.

Publisher: Blank Publishing
Authors: Anders Bakken, Ole M. Ødegaard
Release: October 2019
Volume: 272 pages
Format: 21.3 × 29.8 cm
Language: English
ISBN: 978-82-691706-0-3
Price: 29.– €
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Slanted Winter Break

After an eventful year 2019, we are leaving for our annual winter break to find new inspiration and ideas for 2020. From January 7th, 2020 we will be available for you personally again.

We would like to take this opportunity to thank our readers, media partners, supporters, cooperation partners, friends, the editorial staff, and all contributors who make Slanted possible in all its aspects. This year we have again experienced and achieved a lot. A big thank you from the bottom of our hearts!

As we scroll through our social media channels, it regularly warms our hearts, because we see that our work is appreciated by creative people from all over the world. That’s why we’ve collected some impressions of the past year here.

Please note that from now until January 7th, 2020 there will be no shipping from Slanted Shop (also subscriptions) and therefore there will be longer delivery times. In the meantime we will gladly accept your orders and process them as soon as possible after our return. Thank you for your understanding.

We wish you all a merry Christmas and a happy start into the new year!

Your Slanted Team

ILLU20—Illustrators Festival

From April 30th to May 3rd, 2020 the ILLU20—Illustrators Festival will take place for the fifth time in Cologne. In the art spaces of the Michael Horbach Foundation in Cologne’s Südstadt, illustrations from various fields will be on display for four days. In addition, guided tours, lectures and presentations by individual artists, as well as discussions and live music will be on the program.

Illustrations can now be submitted online to register for the competition. The closing date for entries is January 31st, 2020. The best illustrators will be selected online by a top-class jury.

Jury members for the ILLU20—Illustrators Festival are this year:
Dr. Petra Hesse (Director of the Museum für angewandte Kunst, Cologne), Michael Heitschötter (Focus Magazin, Hamburg), Sandra Renz (StadtRevue, Cologne), Dirk Schulz (Illustrator), Kerstin Mende (Scholz&Friends, Hamburg).

More information about the event and the application/registration documents can be found here.

The Infographic Energy Transition Coloring Book

The Infographic Energy Transition Coloring Book (IETCB) is a unique visual communication and education tool that uses infographics to engage people of all ages in the conversation on climate change and renewable energy.

Created by Ellery Studio for Creative Strategy and Institute for Climate Protection, Energy and Mobility (IKEM), this award-winning publication breaks down hot topics in climate and energy into an enjoyable activity, helping to understand and absorb information in a fun, refreshing new way. In this newly-launched 3rd edition, The IETCB is reborn with latest facts and figures, and with an additional spread on the global movement Fridays for Future.

The Infographic Energy Transition Coloring Book

Publisher: Ellery Studio for Creative Strategy
Author: Ellery Studio for Creative Strategy / Institute for Climate Protection, Energy and Mobility (IKEM)
Design: Ellery Studio for Creative Strategy
Release: December 2nd, 2019
Pages: 80
Format: 26.9 × 20.5 cm
Workmanship: Produced using environmentally-sensitive printing processes. Softcover, open brochure
Language: English
ISBN: 978-3-9819978-1-1
Price: 25 Euro
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Das Akkordeon

The accordion. Fascinating, diverse and awesome. Unlimited sound colors and endlessly different possibilities in usage—from classical to tango to rock. Are you reading this for the first time? No accordionist would be surprised. Because accordion players often get to hear: “Funny, you play the squeeze box?” or “Do you play folk music?”

No, only a few accordionists still play that today. Now is the time to help people to overcome their prejudices and to show what the accordion really is. An instrument with which one can accompany oneself. The accordion is a multifaceted and wonderful community instrument. The accordion offers the opportunity to experience the most different styles of music. Classical music, jazz, waltzes, tangos, Latin, film music and folk music, just to name a few. It’s so much fun to play an instrument that has that many different possibilities and where the entire timbre can be changed by the touch of a button. But unfortunately many people do not notice this diversity and still dismiss the accordion as an instrument for folk music exclusively.

The 142-page coffee-table book Das Akkordeon is created to show the world what an allround-talent the accordion really is! In order to reveal the haze covering the accordion, the book exclusively contains quotations from various accordionists in order to create an objective point of view. The photographs were taken exclusively in situations in which the viewer is right in the middle. The idea to create honest moments that inspire and convince worked immediately for every player through their own fascination for the instrument.

“Das Akkordeon” is the thesis of Marlene Kobel in her communication design studies at the HfK+G Stuttgart, supervised by Prof. Michaela Köhler and Sarah Chand.

100 Best Posters 19

At December 13th the competition 100 Best Posters 19 (100 beste Plakate 19) starts by unlocking the registration. The deadline (online registration with upload of the designs) is January 20th, 2020, followed by an online pre-selection and, at the end of February 2020, the selection of the 100 best posters by the jury consisting of Michel Bouvet (Paris), Benjamin Buchegger (Studio Beton Vienna), Götz Gramlich (gggrafik, Heidelberg), Julia Kahl (Slanted, Karlsruhe) und Isabel Seiffert (Offshore Studio, Zurich).

The procedure is the same as in the previous years: designers, clients and print shops from Germany, Austria and Switzerland are invited to submit posters covering all topics, formats and printing techniques designed and printed in 2019. The participation is not free of charge (Starting from 50 €, staggered according to the number of posters), students and members of the 100 Beste Plakate e. V. get a discount of 50%.

Starting with Berlin, the 100 best posters will be shown on an exhibition tour at several locations in the three countries starting in the middle of next year. Information about the participation as well as the online archive of all posters since 2001 can be found here.

The visual identity of the new competition is designed by Lamm & Kirch, D-Leipzig/Berlin.

Off the Grid

In Off the Grid, graphic designer Sara De Bondt explores the history of graphic design from the sixties and seventies in Belgium. The exhibition is on display from 25 October 2019 in Design Museum Gent and features a lot of original printed materials, logo objects, book objects and posters — most of them never exhibited before.

The history of graphic design in Belgium is uncharted territory for the most part. Sara De Bondt combines the creations of well-known and lesser-known designers, such as Sophie Alouf, Fernand Baudin, Jeanine Behaeghel, Rob Buytaert, Boudewijn Delaere, Corneille Hannoset, Paul Ibou, Herman Lampaert, Luk Mestdagh and many others in this exhibition.

Off the Grid starts from the iconic 1958 World Expo in Brussels and ends in the early eighties, with the emergence of PCs. Curator Sara De Bondt used her own practice as a starting point for her selection, organising the objects in the exhibition according to ten key principles that are also relevant in her own work: economy of means, format, colour, education, pattern, surface, collaboration, seriality, social relevance and typography.

A large chunk of the graphic design from that era has been lost. Brochures were disposed of, ended up in archives or were shredded. That’s why Sara De Bondt has also interviewed some of the designers whose work is on display, to make their work accessible and to preserve it. Sophie Alouf, Rob Buytaert, Boudewijn Delaere, Herman Lampaert and Paul Ibou discuss their work with her in videos.

Design Democracy

Design Democracy is an online platform that encourages designers to design political and social posters. The posters are distributed by Design Democracy on social media, with deliberately undemocratic hashtags. This way filter bubbles are to be broken in order to counteract the increasing social division.
Those who donate a poster take part in a competition and have the chance to win a publication that deals with design and society.

Design Democracy sets an example for responsible design and wants to point out to graphic designers their options for action. Anyone can engage in civic engagement with just a single poster.

The project was founded in 2016 by communication designer Ravena Hengst. Shortly after the so-called “refugee crisis” the idea arose out of frustration, how few of us from the privileged circle of graphic designers use their skills for political engagement. From this, the urge to do something with graphic design grew. And along with it the wish to show other designers, that one can bring about change with one’s own expertise.

Participation in the project via a form on the website works independently and is free of charge. In just three steps, a poster is submitted. You choose yourself from the previously curated hashtags. After the upload & review the posters will be shared on www.designdemocracy.de and the social channels of Design Democracy.

Team: Johanna Dietrich, Ravena Hengst, Ingo Lemper, Vanessa Stern, Hanna Vogel

Visions of the Bauhaus Books

Johannes Rinkenburger is an art director and graphic designer based in Munich, Germany. He is deeply inspired by early 20th century art history and studied architecture as well as visual communications at Bauhaus-University Weimar. In his book project, Visions of the Bauhaus Books. Exploring Connections to Contemporary Graphic Design Practice, he examined and researched the contents and key concepts of the 14 Bauhaus books, edited by Walter Gropius and László Moholy-Nagy, which were published between 1925 and 1930.

Based on design experiments, new links and correlations are established and methods shown that reveal and apply the legacy of Bauhaus, one of the historically most important design schools worldwide, to contemporary design. In the visual illustrations, which make up a large part of the publication, individual concepts and methods of the Bauhaus books are combined, contemplated on and implemented using today’s graphic design methods and techniques.

Alex Marashian, who served as a guest professor during Johannes’ time at the Bauhaus University, posed three questions to him regarding the book:

Alex Marashian: Johannes, congratulations. You’ve managed to create a visual world that feels fresh and different and strangely engaging. I quickly got lost inside this book. How did this come about?

Johannes Rinkenburger: While researching my master’s thesis, I went deep into the very fruitful Bauhaus Books series (1925-1930). The more I studied it, the more impressed I was with how different the books and approaches were compared to our current graphic design—and how similar. It was so refreshing to see how they achieved their results without any of the means that we take for granted today. And I was surprised at what aesthetic diversity they achieved as a result. In my opinion, it is precisely this aesthetic diversity that is often lost today, largely due to the global hegemony of graphics software. In Visions of the Bauhaus Books. Exploring Connections to Contemporary Graphic Design Practice, I set myself the goal of breaking out of the uniform trend in graphic design and opening up new methods and aesthetics—if only for myself—on the basis of the Bauhaus Books.

It’s one thing to set a goal, quite another to achieve it. What were were the practical steps you took to open up “new methods and aesthetics?”

A key characteristic of work at the Bauhaus was to take unusual paths and explore them for oneself in an autodidactic way. In keeping with this tradition, I learned of all the techniques necessary to realize my ideas independently—for example, the programming language Processing or Cinema 4D. But this means that it’s possible for anyone to discover or invent new visual methods and detach him- or herself from mainstream aesthetics. One of the most important requirements for conducting and designing of experiments is therefore the urge to progress and the strong will to acquire technical knowledge. My publication offers help in this respect—for example through an appendix containing program codes that introduce readers to the the subject’s potential and, I hope, inspire them to go beyond my experiments and develop their own.

Any advice for your fellow designers, especially those just starting out?

Always stay critical about contemporary tendencies, progressive about technology and restless about creating. At the same time, appreciate the past because it never fails to be more contemporary and surprising than you expect.

Visions of the Bauhaus Books. Exploring Connections to Contemporary Graphic Design Practice

Publisher: Niggli
Author: Johannes Rinkenburger
Release: June 2019
Format: 18 × 23 cm
Volume: 256 pages
Language: English
ISBN 978-3-7212-0992-1
Price: 35.– €

BUY HERE

Slanted in Rwanda: Timothy Wandulu

For our special issue Slanted Rwanda we traveled to Kigali, the capital of Rwanda, in February 2019 and met numerous designers and artists in their studios.

Timothy Wandulu is a multi-disciplinary, visual artist who was born and raised in Uganda. After finishing high school and learning more about his Rwandese father, Wandulu moved to Rwanda to meet a side of his family that he hadn’t yet known. Like many of the artists working in Rwanda, Wandulu is self-taught. He is a full time practicing artist since 2009, a tutor and facilitator since 2014 and practicing furniture design with interest in architecture.

The exciting work of Timothy Wandulu can be found in the Slanted Special Issue Rwanda, additionally we conducted a video interview with Timothy about his attitude and work. Take a look at our new issue and the video platform to meet a new side of Rwanda!

Photography: © Daniel Sommer, Slanted Publishers

Supported by descom Designforum Rhineland-Palatinate and the Partnership Association Rhineland-Palatinate / Rwanda (Jumelage).

Will Feel Eyes on

The photo book Will Feel Eyes on by Kai Jünemann, internationally renowned photographer, represents a colorful and spontaneous visual diary with 113 photographs taken during his first and intense stay in Teheran, Iran.

From the editorial by Dirk Gebhardt:

“On the street, patterns and signs shape a unique space of non-verbal communication. The Western gaze recognizes them in part by recalling familiar pictorial patterns. Porcelain horses, cheetah prints, and the last supper directly reference the sociological and symbolic significance of the Occident. In combination with the curved writing of Koran suras on pillows, covered hair, and colorful printed fabrics, they develop a new, unknown meaning. To confront Iran photographically, while remaining unaffected by its political dimension, is a challenge.

Kai Jünemann circumvents a personal statement through the coded, playful exploration of visual surfaces. The details, frames, and harsh exposures of his images, cut objects, people, and situations out of reality with the precision of a scalpel. Jünemann’s world is reduced to patterns and rhythms, thereby metaphorically representing the merging and cross-influencing of cultures.

The unusual is so mundane that the familiar astonishes the viewer, who is immediately confronted with the question of his own clichés and habits of seeing. Symbols of status and pride, elegance and banality, power and eroticism collide with each other in a colorful and mixed way, thus forming a cosmos of humanity—comprehensible and emphatic. What was once foreign ground is transformed into home territory, despite or maybe even because of the exoticism of many pictures in Jünemann’s visual Iranian diary.”

Will Feel Eyes on

Publisher: Slanted Publishers
Photographer: Kai Jünemann
Designer: Ulrike Brückner
Volume: 128 pages with 113 photographs
Format: 18.5 × 26.5
Language: English
Specials: Multicolored paper
Edition: 350 copies, signed
ISBN 978-3-948440-03-9
Price: 27.90 € (International)

BUY HERE 

ONE HUNDRED THOUSAND WORDS IN SEARCH OF AN AUTHOR

ONE HUNDRED THOUSAND WORDS IN SEARCH OF AN AUTHOR is part of the project AUTHENTICITY AND FEEDBACK which discusses future forms of authorship, explores new modes of existence in literature, and culminated in a festival at the ESPACE DIAPHANES in Berlin from the 21st to the 23rd of November. The texts will be presented at the event and will form the entirety of a special issue of the print and digital magazine DIAPHANES.

In the face of fast-changing writing cultures, DIAPHANES is venturing an experiment: 100 authors from the most diverse backgrounds and languages are invited to produce a text of exactly 1,000 words in the first person.

This combined with 41 Photographs by Julian Röder and a Poster campaign present the content for the Website. All the elements are displayed randomly and are seemingly in no connection to each other. The aim of the designers from Studio Last was to built a website tailored to this concept without being random or redundant but surprising.

ONE HUNDRED THOUSAND WORDS IN SEARCH OF AN AUTHOR

Design: Studio Last
Photos: Julian Röder
Code: Jimi Alexander Semino

 

I’d write OR The Setting Sun of the Alphabet

The question “Does writing has a future?” is the starting point for contemporary archaeological and experimental research on the subject of writing and its visual appearance. Berenice Gaß, a graduate of the Stuttgart State Academy of Art and Design, examines this important question of the future with her diploma thesis “I’d write OR The Setting Sun of the Alphabet,” which consists of different media.

How will the current writing systems—after their development to the present day—develop in the future? What answers does the chatbot of a so-called “AI”-App give to questions about the future of writing? What influence do time, technology, materiality and scaling have on maintaining legibility? What will remain of today’s digital writing culture in several thousand years? How does translate.google.de interpret the gesture of hand writing inspired by Cy Twombly and detached from content? And what happens if the font developed from it continues to generate “characters” from a font design program beyond a defined point, i. e. into the unknown?

Berenice Gaß’s diploma thesis comprises a dialogue in paperback form (I’d write OR The Setting Sun of the Alphabet), two 3D-printed objects and a silkscreen (Rosetta Stone 2019), a booklet (font relicts), two headline fonts and a corresponding website, as well as a variable font with the parameters readable—unreadable (Cy) and a video (Lost in Interpretation).

I’d write OR The Setting Sun of the Alphabet
Paperback
Design: Berenice Gaß
Volume: 144 pages
Format: 12,5 × 19 cm
Language: English
Material: dust jacket: plastic foil; cover: Caribic 250 g/sqm; paper inside: Holmen TRND 80 g/sqm 2.0;
Print: digital print

Rosetta Stone 2019
Material study on the transitoriness of legibility, comprising two 3D-printed objects and a screen print in 140 × 97 cm format.

Schriftrelikte
Magazine, two headline fonts, and website.
Design: Berenice Gaß
Volume: 32 pages
Format: 31 × 22 cm
Material: cover: Ispira Mistero (black) 250 g/sqm; paper inside: Ispira Mistero (black) 150 g/sqm and metaphor Extrarough Coldwhite 150 g/sqm; print: opaque white in digital print and digital print black + riso print red.

Lost in Interpretation
Variable font and corresponding video.

New Queer Photography

Art, more than anything, opens up the possibility of approaching one’s own sexuality beyond the limits imposed by taboos. Not only does it allow for a risk-free, playful exploration of gender and forbidden desires, but it is unique in capturing its contradictions. Benjamin Wolbergs works as an editor and art director in Berlin and asked himself what a book on contemporary, gay and queer photography would look like. Which photographers, themes and styles would be included in such a book today? He now wants to answer these questions with the publication New Queer Photography, which will be published by Kettler in spring 2020.

We have already asked Benjamin a few questions in advance:

What do you love most about photography? What makes a good photo story?

When it has the power to stand out from this omnipresent flood of images that we are all most of the time surrounded by … which does not mean that it has to compete necessarily through “loudness,” exaggeration, or provovation.

You’re currently focusing on “New Queer Photography”—so is the title of your upcoming publication which is currently being crowdfunded at Kickstarter. How did that happen?

Around three years ago, I was working for Taschen on the layout of a book about physique photography with photos from the 1950s, whose aesthetics and visual worlds were clearly intended to appeal to a gay audience. In the course of this work, I asked myself: what would a book with contemporary gay and queer photography look like? What photographers, topics, and styles would be included in such a book today?

Around that time, I became aware of the works of Matt Lambert and Florian Hetz, and I started to look for other gay and queer photographers. As my research intensified, a universe of incredibly talented LGBTQ photographers emerged in front of me, characterized by a wide variety of different styles and visual worlds beyond clichés and preconceptions. This is how the idea of New Queer Photography was born.

Of course, it’s very difficult to fund such a project. There was not one institution or foundation that supported the project, which is in a way quite distressing. That’s why we, the publisher and I, launched a crowdfunding campaign at Kickstarter. It’s up until December 22nd, 2019, and people can preorder the book for a reduced price.

A sensitive topic—how do you make sure it gets the depth it needs?

I am not sure, if it is a sensitive topic, and I do not want to see it this way which will only put it again in a certain “corner.” I think it is a topic that has to be “told” from many different perspectives and through many different media, and for me as a book designer I wanted to tell it through an art book.

The themes and images in this book were “screaming” to be seen and recognized by a wider audiance so I wanted to bring them literally from the margins into the focus. That’s why I am very happy that I’ve found with Verlag Kettler a publishing house that is not an explicit queer publishing house but has a great reputation in the field of art and photography books.

The most important part was of course to chose the themes and photographers for the book very carefully which ended up in a very intense research that took almost two years.

But also the texts for such a publication are very important and I found with Ben Miller (a writer and researcher from Berlin who is a member of the board of the Schwules Museum, the world’s largest institution devoted to archiving and presenting LGBTIQ histories and visual cultures) a great contributor.

I guess all of these components together—the editing, the writing, the layout and in the end the well chosen publishing house—will give the content of this publication the depth that it deserves.

Who are the photographers featured in the book?

These are some already well-established photographers but also plenty of unknown and less well-known talents. Each of them with a very unique style and visual world. In total, the publication will feature more than 40 contemporary photographic positions which gives the book a certain importance.

Publishing house: Verlag Kettler
Editor: Benjamin Wolbergs
Idea, Concept & Design: Benjamin Wolbergs
Release: April 2020
Format: 24 × 30 cm
Volume: 304 pages
Language: English
ISBN: 978-3-86206-789-3
Price: € 45.– (pre-order), € 58.– (regular)

Pre-order the book now at www.nqp-book.com!

Slanted in Rwanda: Nelson Niyakire

For our special issue Slanted Rwanda we traveled to Kigali, the capital of Rwanda, in February 2019 and met numerous designers and artists in their studios.

We visited Nelson Niyakire, who was born in Burundi in 1990 and started painting when he was 17. Since then, he has been working tirelessly, switching between different media such as painting, sculpturing, installations and photography with a strong presence of materials. His work has been exhibited in Africa and abroad.

The exciting work of Nelson Niyakire can be found in the Slanted Special Issue Rwanda, additionally we conducted a video interview with Nelson about his attitude and work. Take a look at our new issue and the video platform to meet a new side of Rwanda!

Photography: © Daniel Sommer, Slanted Publishers

Supported by descom Designforum Rhineland-Palatinate and the Partnership Association Rhineland-Palatinate / Rwanda (Jumelage).

Guter Osten – Böser Osten

Just in time for the 30th anniversary of the fall of the Berlin Wall on November 9th, the richly illustrated publication “Guter Osten – Böser Osten” (Good East—Bad East) was published this autumn. The Cologne-based design agency Leitwerk, together with the editorial staff of ZEIT in Osten, conceived and designed the publication for the Bundeszentrale für politische Bildung / bpb. (Federal Agency for Political Education / bpb)

As in many of the publications of the bpb, the diverse topics are presented in a meaningful context, informative and emotional. The history of East Germany in “Guter Osten – Böser Osten” is made accessible to a large number of people through the diverse artistic approaches found in the imagery. This way it is a lot more entertaining than you might think—even with appropriately serious content.

Over the past 30 years, East Germany needed to reinvent itself. It has changed profoundly and is still changing to this very day. The texts and debates from ZEIT in Osten collected from 2012 to 2019 show East Germany in all its ambivalence: dark ages and stories of success, the past and the future, continuities and subversion. The publication is part of the series “Zeitbilder” of the Bundeszentrale für politische Bildung / bpb.

The publication “Guter Osten – Böser Osten” is available for 7.– € here.

Slanted in Rwanda: Moses Turahirwa / Moshions

For our special issue Slanted Rwanda we traveled to Kigali, the capital of Rwanda, in February 2019 and met numerous designers and artists in their studios.

Fashion designer Moses Turahirwa established the Moshions fashion brand in 2015—it was his deep passion for making garments and his endurance that brought his company its breakthrough. Moshions is an elegant culturally inspired brand, sought after by insightful African and global customers looking for a distinctive world-class taste.

The exciting work of Moses Turahirwa can be found in the Slanted Special Issue Rwanda, additionally we conducted a video interview with Moses about his attitude and work. Take a look at our new issue and the video platform to meet a new side of Rwanda!

Photography: © Daniel Sommer, Slanted Publishers

Supported by descom Designforum Rhineland-Palatinate and the Partnership Association Rhineland-Palatinate / Rwanda (Jumelage).

TOCA ME 20

On March 7th 2020 TOCA ME 20 design conference will take place in Munich‘s Alte Kongresshalle with renown speakers from all over the world.

Since 2003 TOCA ME design conference brings together some of the most innovative designers from around the globe. Covering all fields of analogue and digital design. From graphic design, typography and film to creative coding, virtual reality and machine learning. Past participants include legends of design such as Joshua Davis, Jessica Walsh, Seb Lester, Malika Favre, Sougwen Chung, Annie Atkins, Mr Bingo, Anthony Burrill, Brosmind, Eike König, Gmunk, Tomato and many more. Aside of a high-quality lineup, the beautiful prepared location with interactive art installations, a design books & magazines corner and additional showcases, creates a unique experience—a journey full of creativity and inspiration.

The next TOCA ME design conference will be on March 7th 2020 in Munich‘s Alte Kongresshalle. Amongst the speakers is award-winning Japanese illustrator Yuko Shimizu and Erik Kessels, founder of the well known communication agency KesselsKramer in Amsterdam and London. Furthermore British artist and technologist Brendan Dawes, graphic designer Ariane Spanier, new media artist and computer scientist Christian Mio Loclair, audiovisual artist Joëlle Snaith from London, and motion graphics studio Uber Eck. The talks on stage are accompanied by installations and actions of local creative heads.

Once again TOCA ME design conference will be one of the main events of the Munich Creative Business Week taking place from 7th till 15th March 2020. TOCA ME design conference is funded by bayern design and the Bavarian Ministry of Economic Affairs, Regional Development and Energy. The event is supported by its partners Adobe, Eventwürze, Designerdock and Mates. Organizer is the Munich-based design studio TOCA ME.

TOCA ME 2020 Artists:
Yuko Shimizu
Erik Kessels
Brendan Dawes
Ariane Spanier
Christian Mio Loclair
Joëlle Snaith
Uber Eck
Daniel Kuhnlein
Christoph Grünberger
Rosa Kammermeier
Rafael Bernardo

When?
March 7th, 2020

Where?
Alte Kongresshalle
Am Bavariapark 14
80339 Munich

Tickets and further information here.

 

Typeface of the Month: Lawabo

Detailed technical implementation and extensive expansion in combination with playful curves make our Typeface of the Month in December a very special Sans Serif.

The original Lawabo was started many years ago by Schriftlabor founder Rainer Scheichelbauer, and lay dormant ever since. In 2017, Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced an expanded family of 12 styles in total. Its minimalistic rounded shapes are reminiscent of bathroom ceramics, hence the name: “lavabo” is the word for “sink” in many Romance languages.

Small roundings pose a special challenge in modern typeface technology. In short (and sparing you the mathematical details), interpolation is likely to cause small kinks in the corner roundings, and rounding errors have an impact on curve precision. These are issues hard to solve in a rounded design, and many fonts of that genre do fail in that respect. The shapes of Lawabo, however, were rounded after interpolation rather than before, and apart from that, interpolations used a finer grid than usual. This way, both problems were tackled successfully in the construction of the typeface.

Among other things, the low cap height makes distinguishing between uppercase I and lowercase l easy. This makes words like “Illusion” or “Illustration” more legible than in most sans-serif typefaces. Each Lawabo font contains no less than 850 glyphs. So, the complete family of 12 fonts has more than 10,000 glyphs. Lawabo has combining accents, allowing you to put any accent on any letter. Yes, even the Hungarian umlaut on an x: x̋. In each style, you can activate Small Caps, choose between 9 figure styles, and typeset in more than 210 languages. This also includes the youngest letter in German’s orthography, the capital German sharp . Since almost all keyboards still lack a key for it, we opted for a solution with modern font technology. So, to insert a German cap , type the lowercase ß between or after two other caps, and an OpenType feature will automatically turn it into its cap shape.

Schriftlabor is a type foundry based in Vienna, Austria, specialized on digital punchcutting and custom type systems. Since 2017, Schriftlabor also offers retail type.

Lawabo

Foundry: Schriftlabor
Designer: Rainer Erich Scheichelbauer and Miriam Surányi
Release: 2017
Format: OTF, TTF, Webfonts
Weights: Regular, Medium, Semibold, Bold, Extrabold, Black; each upright and italic
Price: 229.– €

Purchase Lawabo at MyFonts, YouWorkForThem and Fontspring with a discount of 20 % or rent it at Fontown.

 



FURE – The Future of Reading 2019 / Review

On the 22nd of November 2019 we were in Münster to participate in the FURE Conference. For the third time, FURE – The Future of Reading provided with a colorful mix of speakers an answer to the following questions: What new roles can print take on in times of digitalisation? What ideas and possibilities are offered through digital reading? How does this change our reading behaviour? How can reading prevail over other cultural techniques such as playing, listening, or watching?

The conference took place in the building of the MSD – Münster School of Design. The two hosts Rüdiger Quass von Deyen and Patrik Marc Sommer welcomed the approx. 200 participants and announced lectures by speakers such as Rayan Abdullah, Henning Skibbe, Malin Schulz, and Frances Uckermann.

All lectures on this day made clear the important role of typography and design in reading. Especially today’s demands on typography in the digital media represent an extreme change in reading behavior worldwide. Designers, typographers, and type designers have to react to this. With its interdisciplinary contributions, FURE – The Future of Reading continued to bring this topic closer to today’s designers and to increase sensitivity for details. Because designers play an important role in modern knowledge transfer and the responsibility is growing.

We’re hiring: Trainee Marketing (focus on Online) and Distribution at Slanted Publishers (m/f/d)

To support our team, we are looking for a trainee in Marketing and Distribution with very good English and German language skills.

With you we want to explore our potential in the field of online marketing even better and develop modern strategies for the implementation of our business goals. This includes the conception, implementation and control of cross-channel online campaigns in the areas of social media, performance and content marketing.

A further focus of our activities is distribution, in particular the maintenance of the online shop, expansion of the existing sales network and the development of subscriptions.

Start of traineeship: as soon as possible
Duration: two years
Payment: 1.650,- Euro brutto + ad commission in 2nd year
Working time: Full-time (40 h/week)

We are a small team and offer you a varied, extremely challenging job during your two-year traineeship and insights into all areas of work of an independent publishing and media house with flat hierarchies. The goal of your training with intensive supervision is to take you on afterwards.

Increasing personal responsibility is important to us in the following areas: Marketing & Advertising, Internet Research & Press Relations, Sponsoring & Acquisition, Sales & Office Organisation, Preparation and Implementation of Events and Trade Fairs, Editing & Proofreading.

You should already have some practical experience in online marketing and/or publishing, show above-average motivation, flexibility, passion, stress stability and high motivation, be self-confident, communicative, able to work in a team and interested in design as well as organisational skills and creativity. You should also enjoy international communication. You show enthusiasm in dealing with the publishing team, customers and business partners.

We require a good university degree in economics, marketing, media as well as good computer skills (Mac; Office, first application knowledge in Adobe Photoshop). As an internationally operating company, you will also be able to express yourself confidently in English and German, both spoken and written.

Please send your complete application documents (informative cover letter/reason, curriculum vitae, certificates, etc.) by 07.01.2020 by email to Mrs Julia Kahl, [email protected].

We will review your application after the application deadline and then get back to you.

We are looking forward to your application!

Metamorphosis. Brazil 1998

The exhibition “Metamorphosis. Brazil 1998” in the Weltmuseum Wien is the first time the series of photos “earth from my river” and “Rainforest deforestation” by the photographer Andrea Altemüller are shown side by side. It opens a reflexive space of thought in which creative and destructive forces of mankind meets.
The series “Earth from my river” describes in a poetic way the work of the ceramic artist Izer Campos and the mystical world of the Amazonas and the people living there.

The series “rainforest deforestation” documents this subject and the situation of the charcoal workers in Paragominas, Brazil 1998. Sadly, this subject is much more relevant today. President Jair Bolsanaro‘s controversial environmental policy poses a massive threat to the fragile balance of the rainforest as well as the survival of the indigenous population.

Andrea Altemüller was born in Stuttgart and studied photography and graphic design at the University of Applied Arts in Vienna. Her works can be found in renowned collections such as the Staatsgalerie Stuttgart, the Daimler Art Collection , the Banco Espirito Santo Collection in Portugal, Eric Franck Fine Art in London and the Bibliothèque National in Paris. Andrea Altemüller currently lives in Vienna and works on her photographic projects all over the world.

When?
December 5th, 2019 until March 24th, 2020

Opening Hours:
Every day except for wednesday: 10 a.m. to 6 p.m.
Last Friday every month: 10 a.m. to 9 p.m.

Where?
Weltmuseum Wien
Heldenplatz
1010 Vienna
Austria

Tickets for 12.– €, reduced price 9.– €
More information here.

Slanted in Rwanda: Mihir Bhatt / Creative Communications

For our special issue Slanted Rwanda we traveled to Kigali, the capital of Rwanda, in February 2019 and met numerous designers and artists in their studios.

We met Mihir Bhatt the art director at Creative Communications, the first full service integrated advertising and marketing agency in Rwanda, with an experienced blend of local, regional and international resources. Since it has been founded in 2002, they conceptualize, design, and propose communications strategies based on clients needs and goals. Their aim is to enhance their clients’ image, prestige, and profitability of their business.

The exciting work of Mihir Bhatt can be found in the Slanted Special Issue Rwanda, additionally we conducted a video interview with Mihir about his attitude and work. Take a look at our new issue and the video platform to meet a new side of Rwanda!

Photography: © Daniel Sommer, Slanted Publishers

Supported by descom Designforum Rhineland-Palatinate and the Partnership Association Rhineland-Palatinate / Rwanda (Jumelage).